CHICKEN RUN

‘Chicken Run’ an animated film by Nick Park and Peter Lord is a parody of the Steve McQueen classic ‘The Great Escape’. It uses chickens on a chicken farm to represent captured soldiers in a prisoner of war camp. Nick Park and Peter Lord use many different presentational devices throughout the film to convey the good and evil in both Ginger’s and Mrs Tweedy’s characters and their actions. Looking at these two characters solely I will investigate the following presentational devices: Costume, set, camera angle and music. Using these presentational devices I show that Ginger, the courageous chicken conveys good and Mrs Tweedy, cold and calculated conveys evil.

Film makers use varied camera angles to add diversity and to show character emotions and their interactions with other characters. Close up shots are used by film producers to zoom in on a characters face to show emotions via their facial expressions. The close ups give you an insight into what the person or chicken is thinking as well. This is even more prominent in ‘Chicken Run’ than most other films because ‘90%’ of the animation is shot from the neck up, to reduce the already mountainous amount of time it took to film it.

An example of an effective close up shot is at the beginning of the film when the chickens are trying numerous methods to escape their captivity, the farm and Mrs Tweedy. Ginger becomes exasperated at the other chickens and their lack of knowledge/common sense and she has an extremely pained and desperate look on her face due to the other chickens stupidity. This close up not only sets the theme but it also brings to the forefront of our minds Ginger’s superior intelligence over the other chickens.

During an escape attempt Ginger is caught by two snarling, drooling and deadly looking guard-dogs, this close up is effective as it shows just how hard is for one person to escape the farm undetected let alone break twenty or more chickens out as well.

The reason why Ginger is increasingly more anxious to escape is because of her opposite number Mrs Tweedy who becomes  ‘Tired of making minuscule profits’ and invests in a pie machine. The other chickens to seem to realise the exact predicament they are going to be in. As the pie machine is being setup a close up is used to get an insight into how cold and calculated Mrs Tweedy is. This is shown when she stares into the whirling blade of the circular saw and her menacing face reflected in the blade is the only thing on the screen. Her eyebrows and facial expression show us how she is only thinking of how much money she will be earning and how she will benefit, there isn’t a thought to the chickens and their well being, just herself. A very similar close up happens with Ginger, except she is gazing into the last gear that will complete the ‘crate’ but instead of seeing herself like Mrs Tweedy did she sees the other chickens, her friends. I think Peter Lord and Nick Park used this to show Mrs Tweedy is selfish and cares about what will be a self gain whereas Ginger constantly thinks of others and tries so hard to help. This is confirmed in another close up when Ginger cries emotionally as Edwina is taken away to the slaughter.

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Mid angle shots show characters from the waist and can involve more than one chicken or person, it is also dubbed as the sociable shot as it is used to show character interactions. A great mid angle shot used occurs during the meeting called by Ginger in ‘hut 17’ it shows the chickens discussing their latest escape plan, the shot shows how together and united their ambitions at obtaining freedom really are. Another mid angle involving the chickens shows a similar thing, all the chickens are exercising in the yard outside of their huts under Rocky’s instruction. They do ...

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