How does Alfred Hitchcock create a sense of menace and tension in his films The Birds and Psycho?

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Lee Humphreys

How does Alfred Hitchcock create a sense of menace and tension in his films The Birds and Psycho?

In this essay I am going to write about how Alfred Hitchcock creates sense and menace in these films, ‘The Birds’ and ‘Psycho’. There are many points to consider when analysing the two films and I will explain in detail how these points relate to these films. Both films were made in the 1960’s, ‘The Birds’ in 1963 and ‘Psycho’ in 1960. Alfred Hitchcock used many different techniques in both the films to create the suspense and frightening fear. For example in Psycho he uses very good ways to alter the light effects by making things darker. In ‘The Birds’ he uses different sound effects for the noises of the birds so they don’t sound normal but they have a different sound all together. However, these are only a few techniques he uses as there are many others.

The cinematographic features that are used in the films include the lighting effects and camera shots. In ‘The Birds’ I noticed a big change in the attic where the light effects had differed, this was near the end of the film. Melanie starts to walk up the stairs and opens the door to find hundreds of birds where she is attacked violently. There is a lot of darkness at this point but we as the viewer are only able to see Melanie being attacked by the birds. A lot of the attic is darkened out and Alfred Hitchcock only uses brightness to show the viewers what he wants us to see such as Melanie and the birds. Also in ‘The Birds’ Alfred Hitchcock has used ‘drained colours’, this can be meant by making the colours less bright and toning them down. An example of this is used in the house a lot for example when the power is cut off and everything is dimmed, this starts to create suspense within the scene. The camera shots that are used in ‘The Birds’ I think have many different meanings. For example the long shots of the bay and the countryside seem a lot less threatening and inviting because of the muted tones. I think this is because if there were music then this would make the film less scary and without the music it does create a sense of tension and menace. I think a good example of a camera shot is where Mrs Brenner finds the dead farmer with his eyes pecked out. The Juxtaposition technique is used here where we see what Mrs Brenner sees and then we see her then the process repeats itself until we see the dead farmer. Jump cuts are made here as also which link in to creating the tension, these are fast shots to make the scene feel more sudden and dramatic. It is a classic technique used to create suspense and menace.      

Lighting effects are very important in making a film but you have decide where and when to use them. In ‘Psycho’ a lot of the lighting effects are used in the house where Norman Bates and his mother live. Near the end of the film we get a good look at the house from the inside, this is where Marion has entered the house without Norman knowing. Everything in the house from the stuffed animals on the wall to the stairs leading down to the cellar are all toned down and a lot of darkness covers the house. Again there is the use of this technique of changing the brightness and this will effect how the viewers see the film. Like in ‘The Birds’ there are many different shots used in Psycho as well which have meaning. The shower scene is a classic scene in psycho, there is a big build up in the tension and then when the killer strikes the camera captures it in particular way. In this scene there are about 50 or so shots, some are quite long although some are only a second. In shots 10-30 nearly all these scenes are a second long as at shot 10 the killer has entered the room and we see him attack Marion the camera movements focus on certain parts of the killer attacking Marion. There is a jump cut sequence here where you see Marion’s mouth, screaming. Alfred Hitchcock decided to use this because rather then just seeing one long shot of her being killed then the viewers would soon lose interest and the menace that was created would start to lessen. The jump cuts are used because they relate to what is happening in the scene, it is very fast and sudden. The camera also cuts back and fourth between the knife then Marion’s view of the attacker and then her naked vulnerable body. I also noticed the use of silhouette in this scene, it is a silhouette of the attacker but we are unable to see this person at all. This is another method used only to create more and more tension and menace. This was used to show exactly what was going on in the scene but in a fast motion to help create more tension. This creates the menace and maintains it throughout the scene. Mostly all of those shots from 10-30 are either close ups or mid shots but they were used effectively and constantly to create more fear and menace.  In one of those shots there was a shot of the killer in silhouette where we see a dark outline of the killer. I think that shot is a very interesting shot as it shows the viewer the killer but then you are unaware of whom it is.      

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The music in both films is used both in different ways for example there is hardly any music at all. In ‘The Birds’ there is no score music at all, there is music from the children singing but most of all the electronic sounds used for the birds. Alfred Hitchcock has used electronic sounds maybe because he tries to get across to the viewers that they are not birds but are infact something else. I think the absence of music gives a strangely muted atmosphere within the film but it does give an impact to certain scenes. I think ...

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