How Has The Representation Of African Americans In US Cinema Changed Since 1939 And 1972?

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Sasan Aghlani                                                                        Monday, 20 October 2003

10A

Media Coursework

Mr Williams                          

How Has The Representation Of African Americans In US Cinema Changed Since 1939 And 1972?

The representation of African Americans in US cinema changed dramatically between 1939 and 1972. The films Casablanca (1943) and Shaft (1971) demonstrate how the representation changed and how drastically it did. The representation of African Americans at the time was the subservient, simple minded black man who would do everything that the white man told them to. The reasons to why this representation changed will also be examined.

The film Casablanca was made in 1943 and was directed by Michael Curtize. It starred Humphrey Bogart, Ingrid Bergman and Dooley Wilson. Humphrey Bogart plays the main character in the film, called ‘Rick’. In the film, Rick has an employee (it is never stated what his job is) called ‘Sam’, who is played by Dooley Wilson, and is coincidently the only black person in the film that has an actual acting role. In the film, Sam is extremely subservient and easily manipulative. He is represented in this way because Casablanca was made during the war in 1943, which bare the same representation of African Americans before the war.

Rick and Sam have a very complex relationship on screen. They are clearly friends, but Rick is obviously dominant over Sam. Rick gives numerous orders to Sam (including ordering him to “play his song” on cue) and Sam is even seen carrying Rick’s luggage. Sam even addresses Rick as “Boss” and “Mr Richard”. Sam is represented in Casablanca as, as Malcolm X put it, an ‘Uncle Tom Negro’. This reflects the all around representation of African Americans at the time.

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Blaxploitation was a genre of film which was made for black people, by black people, usually with a mostly black cast. It was the first genre to let African Americans represent themselves in films. In 1971 Gordon Parks directed a film that would blow the stereotype of African Americans in cinema out of the water. The film was called Shaft and starred Richard Roundtree as the streetwise detective John Shaft. It was the first blaxploitation film to gain critical recognition and was famous for putting the entire blaxploitation genre into the spotlight. Shaft’s character was an

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