Kill Bill Analysis

 I am going to be analysing the self-acclaimed fourth film by Quentin Tarantino, Kill Bill. I will consider the media language, plot and how Tarantino directs the film. The opening sequence of Kill Bill is very 1960’s. The picture is in black and white and showing a bride lying on the floor looking up towards the sky or roof. The bride on the floor has just taken a severe spaghetti western style gang beating. Her face is brutally wounded with blood streaming from her face. The high contrast of black and white turning the red blood into black shows us that it was is in the past. We hear her in distress while we hear heavy footsteps walking towards her getting louder and louder.

 In Kill Bill I don’t think Tzvetan Todorov theory is used. I don’t think the equilbrium is used as there is no establishing shot which shows us that the film could be set anywhere in the world. The characters are not introduced. We see somebody’s feet walking down a corridor, which is a symbolic code, as we want to know who this person is. Subsequent to this we see a handkerchief with the name Bill on it. We see the eyes of fear in the brides face while he wipes the blood away from her face, which could be showing signs of affection. These signs of affection are a paradox as we think he wants to kill her. We then see the bride’s eyes open extremely wide, which shows us that Bill, is about to do something. He then shoots her to the head with a loud gunfire sound. This is a very brutal and disturbing scene.

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 Sonny Chiba is very successful martial arts actor and he appears in the title sequence. He uses martial arts are very multicultural which may appeal to a larger audience. If the audience sees that this famous actor is in the film then it might prove to be more successful. In this film there is a non-liner narrative, which is not a straight story from beginning to end. There are no heroes in this film, they are nearly all anti-heroes.

 Gradually we see a silhouette, which appears. It is in obscured vision but as the light is getting ...

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