My example media production log for AS thrillers production coursework

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Jennifer Sykes

I found the brief very general. Thrillers, as I have discovered through my research, are not often just thrillers. Most are hybrids, for example, a Sci-Fi thriller like Alien (1979) directed by Ridley Scott or western thrillers such as High Noon (1952) directed by Fred Zinnemann. The thriller genre is something that hard to define; however, Todorov did try to define it as follows. “A genuine thriller is a film that relentlessly pursues a single-minded goal – to provide thrills and keep the audience cliff-hanging at the ‘edge of their seats’ as the plot builds towards a climax”. Thrillers tend to encourage a certain level of anticipation, and an ambiguity and anxiety that lead towards a tension building finale. Characters can have a tendency to stay mysterious until the ending where every thing becomes clear.

The Departed (2006) directed by Martin Scorsese is a crime-thriller, where as Christopher Nolan’s Insomnia (2002) is a suspense thriller. Both these themes have influenced our chosen storyline. The crime idea fits in with the murder scenario, and the suspense idea fits in with our desire to make the audience feel high on edge.

I particularly like the enigmatic characters in thrillers. They contribute to the whole feeling of tension. I like the music that goes with thrillers. Without the music, the suspense would be nothing like as powerful as it is. The music can create such stunning affects upon an audience and I think it is a powerful tool to use when making thriller films.

The opening sequence of a film can be the most important moment. The audience will determine how they are going to feel about the film. This quick section outlines the filmmaker's intentions and helps to set up expectations. Saul Bass, a graphic artist in the film industry said, "making a main-title was like making a poster—you're condensing the event into this one concept, this one metaphor…a back-story that needs to be told or a character that needs to be introduced." Films can hook their audience by using enigmatic codes and mysterious characters. This gives you a desire to keep watching to find out what happens. They can also give the audience a preview of what the film content. If the opening sequence contains a lot of action, this can more or less be expected throughout the rest of the film.

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Saw (2004), directed by James Wan, uses the mysterious Jigsaw character to draw you into the story. As the film progresses, more storylines appear, and lead to other enigmatic scenarios. The ending also seems satisfying at first, but then adds another twist in the story within the last 3 minutes. This makes you want to know what happens next, therefore making you want to see the sequel. The characters types contrast creating friction between the two. This makes it more interesting to watch as they attempt to work together. It is set in one main location, which is a ...

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