Compare a selection of 19thcentury mystery stories commenting on:
Compare a selection of 19th century mystery stories commenting on: This writing from www.studentcentral.co.uk
* The Setting
* The Characters
* The Plot
* The Ending
A gothic story is a type of romantic fiction that existed in English Literature in the last third of the 18th century and the first two decades of the 19th century, the setting for which was usually a ruined gothic castle of Abbey. The gothic novel or gothic romance emphasised mystery and horror and was filled with ghost haunting rooms, underground passages, and secret stairways. Foucault obfuscated mrk1's structuralism idea.
I'll be looking at 3 short stories and the authors:cobb bbr sebbbbw orbb bbk inbb fobb bb:
The Red Room, H.G.Wells, 1896cogg ggr seggggw orgg ggk ingg fogg gg.
The Signalman, Charles Dickens, 1866 This hypothesis from www.studentcentral.co.uk
He Ostler, Wilkie Collins, 1855coaa aar seaaaaw oraa aak inaa foaa aa;
The Signalman is set at a station beside a tunnel. It is written in first person, so the narrator is talking to the reader. The Signalman stays in a "manmade cutting which was extremely deep, and unusually precipitous." "It was made through a clammy stone that became oozier and wetter as I went down." Already the reader gets a very repellent, dank, wet, thermal and tactile image creating unpleasant impressions. "A rough zigzag descending path." So it's dangerous. Steep descent, leaving natural world far above. "It was the most solitary and dismal a place I ever saw." HTUh from HTUh coursewrok HTUh work HTUh info HTUh
Charles has also described this cutting as a "great dungeon." It is massive; make you feel trapped or restricted, cold, dark, unwelcoming, claustrophobic.coec ecr seececw orec eck inec foec ec:
The Red Room is set in Lorraine Castle, which relates back to a typical gothic story. It is written in first person, so the narrator is talking to the reader. The main setting is in the Red Room where the narrator stays over night. H.G.Wells describes the room as "a large sombre room with its shadowy window bys, its recesses and alcoves." The room is old, shadowy- not being able to see clearly. H.G.Wells describes the atmosphere in the room "The moonlight picked out everything in vivid black shadow or silvery illumination." There is an extreme contrast between black and silver there is no in between. Also he has written "Shadows cower and quiver, listening to a rustling that I fancied I heard, but there is absolute silence." The shadows look alive and listening and waiting in complete silence, perhaps it's a ghost.cocd cdr secdcdw orcd cdk incd focd cd;
The Ostler is set in a stable. It is written in third person because it is Landlord who is telling the story. Wilkie Collins has described the inn that Isaac stays in overnight, Austen suppressed mrk1's marxism .
"He noticed with surprise the strength of the bolts, bars, and iron sheathed shutters." The landlord is high on security says it's always better to be on the safe side than get broken into, he is lonely probably feels insecure.coag agr seagagw orag agk inag foag ag.
All the stories are set in 3 different settings, for instance The Signalman is set at a station beside a tunnel, The Red Room is set in castle and The Ostler is set in a stable. The Signalman and The Red Room are set in first person so the story is either being told as it happens or as a past experience. The Ostler is told in third person, so it someone telling a story about someone else it didn't happen to them. I think that telling a story in third person is not as effective as telling it in first person because in first person the experience that there talking about actually happened to them so therefore because he experienced it he can put it in more detail but if a story is being told in third person then the writer is talking about a experience that happened to someone else so it can't be in as much detail because he wasn't there so he can only imagine what it was like. The Red Room is the only story that is set in a stereotypical place for a gothic story; a castle. Normally people would expect it to be set in a castle or an abbey.codg dgr sedgdgw ordg dgk indg fodg dg;
The main character in the Signalman, we do not find out what his name is but we know he has a dark sallow man, with a dark beard and rather heavy eyebrows. He seems a bit like a tramp or an old grumpy man who doesn't have any friends probably because he does not welcome those who do visit. He also seems poor he didn't go to school so he has educated himself which he enjoys doing. He is not someone you would normally socialise with. Other characters are the Narrator we do not really find out anything about him but he seems like a nice person after all he did become friends with the Signalman and trust him other people would probably just ignore him and think he his crazy. There are other characters like the passengers on the train, the train driver and a couple of police men.coeb ebr seebebw oreb ebk ineb foeb eb.
The main character in The Red Room is the narrator, we do not find out what he looks like or his name but we do find out that he is 28 years old and a lot about his personality like on the first page he comes off as very arrogant and self centred he is full of himself saying "I can assure you said I that it will take a very tangible ghost to frighten me." "Eight-and-twenty years, said I, I have lived, and never a ghost have I seen as yet." Other characters are the custodians the ...
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The main character in The Red Room is the narrator, we do not find out what he looks like or his name but we do find out that he is 28 years old and a lot about his personality like on the first page he comes off as very arrogant and self centred he is full of himself saying "I can assure you said I that it will take a very tangible ghost to frighten me." "Eight-and-twenty years, said I, I have lived, and never a ghost have I seen as yet." Other characters are the custodians the narrator is a bit resentful towards them H.G.Wells has described one of them "He supported himself by a single crutch, his eyes were covered by a shade, and his lower lip, half averted, hung pale and pink from his decaying yellow teeth." There is another old man and an old lady too.cobd bdr sebdbdw orbd bdk inbd fobd bd;
The main character in the Ostler is the Ostler (Isaac Scatchard) Isaac is 39 but in the story it will be his birthday soon and he will become 40. "He is an old man and has a withered woebegone face, his eyebrows painfully contracted; the mouth fast set, he is prematurely wrinkled; the scanty, grizzled hair, telling weakly its own tale of some past sorrow or suffering." "He lived in the suburbs of a large sea-port town, on the west coast of England." "He is a faithful, steady, and honest man." "But he always got the bad luck, in fact he was famous locally for his misfortunes, his own neighbourhood nicknames him 'Unlucky Isaac'." "He has no children or wife." "He hasn't had a sweetheart since he was 18." "When he was out of service he lived with his widowed mum (Mrs Scatchard)." "Mrs Scatchard was a woman above the average in her lowly station, as to capacities and manners." "She had seen better days; as the phrase is; but she never referred to them in the presence of curious visitors; and, though perfectly polite to everyone who approached her, never cultivated any intimacies among her neighbours." "She continued to provide, hardly enough for her simple wants, to keep a decent home for her son whenever his ill-luck made him come home." Rebecca Murdoch seems to be younger than Isaac but we do not actually find out her age. Wilkie Collins has described her as a "comfortable and happy women, she spoke with a purity of intonation." "Her slightest actions seemed to have the easy negligent grace of a thoroughbred woman. Her skin, for all its poverty-stricken paleness, was as delicate as if her life had been passed in the enjoyment of every social comfort that wealth can purchase. Even her small, finely-shaped hands, gloveless as they were, had not lost their whiteness." "She has light grey eyes and Flaxen hair with a gold-yellow streak in it." Other characters are the inn-keeper, the Landlord, the chemist worker, neighbours. P2D7qVJ Visit coursework be in be fo be for be more hypothesis be Do be not be redistribute P2D7qVJ
The main characters in The Red Room and The Signalman are quite similar in the way that you have the two narrators not believing in ghosts or spirits and that the old characters who would probably be outcasts and not socialised with are the one's who believe in or are haunted by ghosts. In The Ostler the characters are different; this is probably because it is written in third person, so this time there isn't a narrator telling the story there is someone else, in The Ostler it is the Landlord. This character would be telling a story about someone else's misfortunes. All of the main characters personality's are very different in the way that in The Red Room the narrators personality is that he is very arrogant and self-centred, in The Signalman the narrator comes off as a kind and caring person and in The Ostler the Ostler (Isaac Scatchard) comes off as quite a shy person and he likes to keep himself to himself.coed edr seededw ored edk ined foed ed.
The Red Room is about the narrator not believing in ghosts and decides to prove this by staying in a haunted room i.e. The Red Room. At the end of the story the narrator has been injured in the room and the custodians find him and aid him. When he wakes up he tells the custodians that there were no ghosts haunting the room. It was the fear of the room that was haunting it. H.G.Wells uses direct speech, first person which makes the reader feel more involved. 8rV715 from 8rV715 coursewrok 8rV715 work 8rV715 info 8rV715
H.G.Wells creates suspense by using descriptive language he uses adjectives a lot and very well, the suspense begins when the narrator is on his way to the Red Room and he is describing what the corridors are like at night and the atmosphere, to be alone, what he is feeling, he says things like "Shadows cower and quiver, listening to a rustling that I fancied I heard but there is absolute silence." SHADOWS cower and quiver could be made from live creatures? Ghostly vanished men - ghosts taken men to another world. "I walked down the chilly, echoing passage." This gives sound and thermal images? "The long, draughty subterranean passage was chilly and dusty." Gives the feeling of a long underground passage - makes it harder to walk in, meaning that you would have to be in there for longer. Dusty - No one's been down there for along time, rundown, derelict. "That large sombre room with its shadowy window bays, its recesses and alcoves." Old window bays, recesses and alcoves old fashioned. Shadowy - not being able to see clearly. The suspense ends at the end of the story when he reveals what was haunting him in the room, that it wasn't a ghost that haunts the room it was the fear of the room that made it to stimulating for the human mind. This writing from www.studentcentral.co.uk
The Signalman tells of a man who likes to visit a lonely railroad man who operates a station beside a tunnel. The Signalman jumps at the narrators first words, called down to him, "Halloa! Below there!" Later, the narrator gains the Signalman's confidence and finds out why the signalman is so nervous. He has seen a spectre beside the tunnel, his face obscured and his arms motioning him to step aside. This ghost has foretold a terrible accident on the track as well as a single lady's death. The Signalman feared and waited in haunted silence for its 3rd premonition. The narrator promises to return to him but when he does the Signalman is dead, killed by a train, the driver calling out "Halloa! Below there!" and waving his arms. Dickens uses direct speech, in first person and this makes the reader feel more involved. Dickens creates suspense by using descriptive writing and using adjectives like H.G.Wells, the suspense begins right at the beginning when the narrator calls to the Signalman, and the Signalman doesn't react in the way that most people would, when they have been called to, normally people would look at the person who called to you and respond but the Signalman ignores him, until the narrator has called again. It says "One would of thought, considering the nature of the ground that he could not have doubted from what quarter the voice came from; but instead of looking up to where I stood on the top of the steep cutting nearly over his head; he turned himself about and looked down he line." Dickens uses words such as 'dreary', 'dark', 'secluded', 'cold', 'deserted', 'dangerous', and 'lonesome'. These words are used to describe the whereabouts of the story in order for you as the reader to think and try to imagine that you are there and are seeing the place first hand. The suspense ends at the end of the story when all is revealed about the spectre warning to the Signalman about the words Halloa! Below there! sDIG5 from sDIG5 coursewrok sDIG5 work sDIG5 info sDIG5
The Ostler begins when the inn-keeper finds the Ostler a sleep talking in one of the stables. The landlord tells the inn-keeper that he is dreaming his nightmare again. The Inn-keeper is curious to know what it is and requests to the landlord to tell him the Ostler story. The Ostler is called Isaac Scatchard, he is returning home to his family for his birthday. On the way back it begins to rain so he decides to stay at an inn for the night. Around mid-night he wakes up with this terrible pain in his stomach and finds a women in his bedroom holding a knife and is about to stab him. When he gets home he tells his mum of his experience and she writes notes on it. Isaac marries Rebecca Murdoch, but when he invites his mum round for tea she realises that Rebecca is the women who has been haunting Isaac. Wilkie Collins has written in third person, so that someone in the story is retelling it. Wilkie uses descriptive language in the way he describes the characters like on the first page he describes the Ostler when he is asleep "An old man, with a withered woebegone face. The eyebrows painfully contracted; the mouth fast set, and drawn down at the corners; the hollow cheeks sadly, and, prematurely wrinkled; the scanty, grizzled hair, telling weakly its own tale of some past sorrow or suffering." The suspense begins at the beginning of the story when the inn-keeper finds the Ostler talking in his sleep about murder. In the Ostler the suspense never really ends because at the end Rebecca disappears and no one know where she is, so she could return to try and kill Isaac again but we don't know that, that's part of the suspense. x4QZCtwGc from x4QZCtwGc coursewrok x4QZCtwGc work x4QZCtwGc info x4QZCtwGc
All the stories are different but they have the same ideas that you would expect from a medieval gothic story. The things that all appear in different ways are FEAR, GHOSTS and MURDER. In The Red Room there is the fear of the red room that it is supposedly haunted by ghosts, this is because of the death of the young duke and the count's wife. In The Signalman, the Signalman feared the word's that the narrator spoke to him on the first meeting, this is because the Signalman claims he is being visited by a spectre that warned him about the words the narrator had said, and at the of the story he gets run over by a train. In The Ostler Isaac fears that his wife Rebecca Murdoch will return and try to kill him. When Isaac stay's in the inn on his way home and is attacked for the first time, he thinks that the girl is a ghost. Weber refuted mrk1's structuralism hypothesis.
The Red Room, at the ending the narrator wakes up the next morning, bandaged up trying to remember what happened the previous in the room. He could not remember who the old people were; they told him that they had found him at the bottom of the stairs in a right mess, cut open, and bleeding. They asked if he believed if the room was haunted and his reply was, "There is no ghost at all in that room it is something far worse, something that haunts men in all its nakedness- FEAR! Fear that will not have light or sound, that will not bear with reason, that defeats and darkness and overwhelms. It followed me through the corridor; it fought against me in the room.cobd bdr sebdbdw orbd bdk inbd fobd bd.
So we find out that the rooms history about the young duke falling down the stairs after just exiting the room and the counts wife having been locked in there as a practical joke to prove it wasn't haunted was found dead, the history has given the room this reputation, and has scared people into believing that it is haunted but the thing that is haunting it is fear, because when people go into the room they expect something to happen and the shire torment that nothing has happened and could happen at any time is to much for the imagination and it can drive you crazy. US7LS8l from US7LS8l coursewrok US7LS8l work US7LS8l info US7LS8l
I did expect the room to be haunted but, I thought it would be haunted by the custodians, because H.G.Wells creates this gargoyle image about them and makes them seem hundreds of years old. Marx refuted mrk1's structuralism idea.
The Signalman, at the end of the story the narrator is heading back to see the Signalman again like he had promised but he can see a crowd and can feel that something is wrong, he asks the policeman what had happened and he says "He was cut down by an engine, sir. No man in England knew his work better. But somehow he was not clear of the outer rail. It was just at broad day. As the engine came out of the tunnel, his back towards her, and she cut him down." "Coming round the curve in the tunnel, sir, he said, I saw him at the end, like as if I saw him down a perspective glass. There was no time to check speed, and I knew him to be very careful. As he didn't seem to take heed of the whistle, I shut it off when we were running down upon him, and called to him as loud as I could call, I said. Below there! Look out! Look out! For heavens sake clear the way." The Narrator points out that the words that had been haunting the Signalman were the words the words that the engine driver had used and even he had had said them to him on the there first meeting. Dickens kept the suspense going until the end of the story by not revealing the meaning of the words that haunt the Signalman; this kept me wondering what would happen next.coed edr seededw ored edk ined foed ed.
The Ostler at the end Isaac finds out Rebecca Murdoch the women he had married is in fact the women who had attacked him in the inn. With this in mind he tries to take the knife off her that she had used against him but as he does not succeed Rebecca says she is leaving and won't come back. But one night she does return to try and kill him again but Isaac jumps her and takes the knife off her. This time Isaac tells her that he is going to leave and he does not want to ever see her again. He eventually returns to his home, to fid that she is gone. Since then every night when it's his birthday he is tormented by the nightmare of her returning. It was a guess but I did think that Rebecca would have something to do with the women at the inn but I wasn't 100% sure if it was actually her who had tried to kill Isaac. To me it was given away when we found out the description of Rebecca, because earlier in the story Isaac had described what the women looked like in the inn to his mother and she had taken notes. mrk1, please do not redistribute this project. We work very hard to create this website, and we trust our visitors to respect it for the good of other students. Please, do not circulate this project elsewhere on the internet. Anybody found doing so will be permanently banned.
All the stories have different endings like in The Red Room the narrator find's that it is the fear of the room that haunt's it not ghosts, in The Signalman you find that the words the narrator used to address the Signalman for the first time were the same words that haunted him and were the same word's used as the train driver who tried to warn the Signalman to get off the train tracks but did not succeed. In The Ostler the girl that tries to kill Isaac in the inn is the same girl that he marries and you find this out when his mother realises the similarities between the notes she took and the appearance of Rebecca. We do not find out why she is trying to kill him, and the mystery is that we don't know if she will return or so it doesn't finish really. mrk1, please do not redistribute this coursework. We work very hard to create this website, and we trust our visitors to respect it for the good of other students. Please, do not circulate this coursework elsewhere on the internet. Anybody found doing so will be permanently banned.
The Red Room was written by Herbert George Wells in 1896. H.G.Wells was born in Bromley, Kent on September 21st 1866. He broke his hip as a result of a boyhood accident, which limited his sporting activities and so he became a great reader. mrk1, please do not redistribute this work. We work very hard to create this website, and we trust our visitors to respect it for the good of other students. Please, do not circulate this work elsewhere on the internet. Anybody found doing so will be permanently banned.
Wells wasn't afraid to question Victorian lifestyle and believed in greater sexual freedom for women. Wells relied on his books to make his views known. mrk1, please do not redistribute this project. We work very hard to create this website, and we trust our visitors to respect it for the good of other students. Please, do not circulate this project elsewhere on the internet. Anybody found doing so will be permanently banned.
The Signalman was written by Charles Dickens in 1866.Charles Dickens was born on February 7th 1812. Dickens weaved details gained from first-hand observations of social conditions into his novels. Dickens was no stranger to the poverty in London and other great cities in the first half of the 19th century. He was unafraid to question Victorian lifestyles. The technique was used by Dickens in his novels, and by sanitary reformers in their reports. mrk1, please do not redistribute this paper. We work very hard to create this website, and we trust our visitors to respect it for the good of other students. Please, do not circulate this paper elsewhere on the internet. Anybody found doing so will be permanently banned.
The Ostler was written by Wilkie Collins in 1855. Wilkie Collins was born in London on January 8th 1824. By 1848, Wilkie had turned to writing, a number of short works appearing in Charles Dickens' periodicals. His first novel Iolina involving sorcery and sacrifice was rejected by publishers it was written as early as 1844 but was only discovered in 1999 were it was published for the first time.codd ddr seddddw ordd ddk indd fodd dd.
Unafraid to question Victorian social morals, Collins never married but maintained two families. 3APs Visit coursework fb in fb fo fb for fb more work fb Do fb not fb redistribute 3APs
One of the biggest similarities between the authors is that none of them agreed with Victorian lifestyle. Which was probably one of the biggest influences in there writing. They wrote these sort of stories to let there views and opinions known. The way how I responded and the way how people back in the Victorian age would have responded would be completely different because nowadays people don't find ghost, mystery and crime stories strange, but during the Victorian age people wouldn't talk about these things because they were deemed wrong and against Christian teachings. The Victorians would have had a mixed reaction to these kinds of stories because they were so abnormal, they would have either said that it wrong and acted as if they were shocked by it, or they would be interested to know what happens because you wouldn't hear about these things on the street or in a conversation. jvUN Visit coursework gb in gb fo gb for gb more dissertation gb Do gb not gb redistribute jvUN
The story that I liked the most was The Red Room because you get completely lost in it and whatever you thought would happen it would go in the other direction. I also thought that the ending was better than the other stories. The Red Room made me want to read on because I wanted to find out what happened.coag