King Lear - Does the Fool present the voice of reason?

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Does the Fool present the voice of reason?

William Shakespeare wrote King Lear in seventeenth century. It is one of Shakespeare’s most horrific and bloodthirsty tragedies, with most of the main characters dead at the end of the play, the Fool included. Many believe that the play is a compound of other texts, some originally written as early as 1135 A.D. The main source Shakespeare used is thought to be The Chronicle History of King Leir, which is very similar to Shakespeare’s version, but he changed genre of the play from a tragic-comedy to a tragedy. Shakespeare’s main change from the Chronicle History is the ending, in all other accounts Lear is restored to the throne and his daughter’s lives are spared, instead Shakespeare makes Goneril and Regan’s jealousy of each other the cause of their deaths, and the political misconceptions between the other characters the cause of death for Cordelia. Lear also, in Shakespeare’s version dies, for no apparent reason other than that he has given up to all of the hatred and pain surrounding him. Apart from the changed ending to other scripts, Shakespeare’s main change is that of the introduction of the Fool. The main role of the Fool in King Lear is to parallel character of a court jester, or so he is seen to Lear, other characters and the audience.

        As Shakespeare’s plays were meant to be seen on stage, and performed for entertainment, the Fool’s appearance is of great significance to the play and how he is seen to others from the stage can show his real meaning and his true character. The Fool primarily is seen for entertainment, he is light relief between the heavy scenes of death, adultery and jealousy. The Fool condescendingly laughs at other characters and their foolish ways,

“Thou art an ‘O’ without a figure”

he sees all that happens to them and mockingly does nothing to help them in the way they think they deserve to be helped but the Fool tells them the truth in the form of songs and rhymes, but as the other characters are preoccupied with matters concerning themselves and only themselves. His larger than life personality and his amusing clothes show the Fool’s presence on stage. The Fool is dressed like a Jester with a funny hat and shoes with bells on to mark his whereabouts, he can also be seen laughing, joking and dancing around the stage. The Fool has a skip in his step and a song in his heart for every occasion and doesn’t hold back from showing these traits in a time of desperation. The Fool presides over the whole stage and doesn’t fade into the background; the Fool cannot be missed whilst he is performing. The main feature of the Fool would have been shown disability. He is physically disabled in some way with a probable limp; the Fool may also have a speech impediment and a different accent from the other characters. Many fools in the 17th Century were taken in by the rich and wealthy as their lives outside of the larger houses were poor, they often had no money and were usually social outcasts. Many fools were probably mentally deficient and/or physically deformed; they were exceptional in almost every respect, requiring the protection of powerful patrons to avoid social ostracism or abuse. Although the Fool is entertaining, audiences cannot but help feel sorry for him, he is disabled, poor, and often has problems with his intelligence, which are often focused on by other characters in the play.

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“This man has no counsel”

This is a scathing remark from Goneril to Albany about the Fool’s intelligence and state of mind.

        The other characters often see the Fool as a somewhat inanimate object, the Fool to the high-class Princesses has no purpose in their lives, has nothing they want or desire and he just gets in the way. The Fool is also seen as a madman who talks nothing but rubbish, who doesn’t understand their lives or desires. They also think he has no knowledge of anything or anyone with no respect for his betters.

        The significance ...

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