• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Mozart's K331.

Extracts from this document...


It cannot be denied that K331 is a work in the galant style. Its music clearly revolves around the strong melodies in the Andante, it's variations, the minuet and trio and the distinct alla turca. The galant style influence could indeed be the reason for K331's fame 300 years later. Out of the all his works, Mozart's K331 is the sonata in which the style's characteristics are most noticeable. The melodic right hand line is clearly the main part of each of the sections, whilst the bass line compliments and enforces it. This can be seen in the Andante, bars 1-3, where the rhythm is completely identical in both the left and right hand. The bass line is simple in that it forms straightforward chord breakdowns, such as the broken chords of the Andante, bars 9-10. Mozart has cleverly chosen interesting melodies that are pleasing to the ear, simple and that yet also do some unusual tricks that enhance the overall sound of the music, such as the augmented 6th chord in the minuet. ...read more.


This kind of question/answer idea it the kind of phrasing the galant style relates to. The variations' structures do vary within their own style but when they do it still fits in with the style's characteristics. The galant style is also known for the thin textures it employs. This helps to stress the melody even more, by not drawing attention away from it. This is achieved by only using two parts, one in the right hand, and one in the left. As was said before, the left hand bass line is simple and basic, serving the melody - therefore 90% of the listener's attention is concentrated on the melody in the right hand. Even the four-part octaves in the trio, bars 68-72, are in unison. An exception to this is in the coda of the alla turca when unusual thick chords are in use. This can be explained by the effect Mozart wanted to create in alla turca. ...read more.


The music feels it should move to D minor after visiting E minor and C major, and then the return to the tonic key is expected to finish off the trio. Similarly, in the alla turca, the movement between minor and major keys adds to the feel of the Turkish idea whilst being structured so that it ends with no uncertainty. The galant style has many descriptions, such as elegant, ornate and sophisticated whilst also being playful, witty and chic. Mozart achieves the affect through his variations. The chromaticism of variation 1 has an almost humorous effect, with the adding notes adding that more playful feel. The slowness of the adagio brings forth the more serious and refined aspect to the music and Mozart's choice to include the alla turca as an overall powerful end to K331 is down to the concentration on the light-hearted melody, which is so good that it is still being used as a mobile ring tone today. James Swinburne Page 1 5/8/2007 In what ways is this sonata a work in the galant style? ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Music section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Music essays

  1. The perfect partner.

    This also applies to the possibility of Mariah being fat. It's no problem as long as she makes herself look as good as she possibly can. Again, this is not superficiality on my behalf, but indeed the mark of a good worker on her behalf.

  2. An Evaluation of the Marketing Strategy of Nestl Yorkie Chocolate Bars.

    The Place Yorkies are sold in large range of shops. These include newsagents, supermarket (often multipacks are available), caf�s, motorway service stations, school canteens and vending machines. The motorway service stations can afford to charge a lot for Yorkies and similar products because if people really want one they can't

  1. An investigation into the Mozart Effect.

    After listening to Mozart, however, the scores jumped to 119. Even students who did not like the music still had an increased score on the IQ test. Rauscher hypothesized that listening to complex, non-repetitive music, like Mozart, may stimulate the relevant parts of the brain into thinking.

  2. How does Jacques Loussier’s interpretation of Toccata and Fugue in D Minor differ from ...

    * Solo Break (Sample 8). This is break comprising of nearly 2 minutes of new material based around the theme. The piano breaks away with a series of harmonic chords accompanied by the bass before developing into a series of steady upward moving pattern.

  1. An account of the life and works of W.A. Mozart

    He was fourteen. In 1773, aged seventeen, he was offered, and accepted a post as a court musician in Salzburg. Mozart soon became discontented with his low pay and the limited opportunities that his job presented, and so frequently traveled over the next eight years in search of a more suitable position.

  2. The Effect of

    It is here where Bach seems to first really use the music to emphasize the lyrics. During the line "in ihm leben, weben und sind wir" meaning "in him living, moving, we exist" as taken from Acts 17 and 28 (Koster 1995)

  1. Ground bass

    Below is an example of Pachelbel's ground bass. Pachelbel wrote numerous melodic variations over this ground bass: In its earlier form, developed in the 13th and 14th centuries, the ground bass never varied in harmonisation or pitch. Such example is the earliest known use of the ground bass 'Sumer Is Icumen In' (between 1240 and 1325).

  2. Analyse Mozart's treatment of the Theme and Variation for in the first movement of ...

    Also, the second phrase in the first variation is very different in melody, moving from a simple one line melody to a series of chords and chromatic passing notes. The third phrase has nearly the same dynamics as the same area in the theme, with fast alterations between sforzando and

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work