Following Foucault's conception of subject and power, how do you account For changes in the representations of sexuality in the media?

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Alastair Stone 012930                                                Politics Of Representation

Following Foucault’s conception of subject and power, how do you account

For changes in the representations of sexuality in the media?

        It is without doubt that the media in our society has an elevated position of power, with moguls such as Rupert Murdoch reputably having control over a distribution of information through processes of media signification. In communication terms these people in the media would be labelled the gatekeepers and their perceived power would rise from their ability to form opinion and withhold or release information. This is a relatively simple concept to come to terms with. However, media representations are formed over time often through myth and a production of truths which operate everywhere in our language. Truth can manifest itself in a number of ways and each society has its own truth regime meaning that the conditions are set for only certain discourses to function on a level of truth. In Foucault’s research he looks at power in relation to the subject, and how the human subject is placed in power relations similar to those of production and signification. Representations of sexuality are a particularly interesting site of struggle and it has only been through recent (in particular) Feminist movements that many forms of representation in the media have been challenged. Foucault offers us a window into a history of subjectivity suggesting that power is not a characteristic of humans but a structured relationship between two or more bodies. Not only this but he also looks into conditions of power resistance and redefines left wing Marxist and Gramscian concepts of power and hegemonic rule.

        In order to evaluate the usefulness of Foucault’s work in relation to the changes of the representation of sexuality in the media we must explore the media history for changes. I am in no doubt, from the evidence I have studied, that the media have had a big part to play in the creation and changes in representations of sexuality in our society. “The cultural industries and the mass media generally are key players in the construction, meaning and value of gendered sexualities.” (Stokes, J 1999: 267) There is much evidence of this if you read newspapers and magazines from 50 years ago and compare them with the media texts of today. The liberation of women and the changes in governmental laws in relation to sexuality have brought issues of sexuality to the attention of society and the media. However it is still the consensus view that “the social construction of women’s sexuality… is still more highly controlled than that of men through both social pressure and the threat of violence” (Stokes, J 1999: 266). A good example of this is in the cinema where there has always been an over-emphasized tendency for producers to form and maintain “the current sexually imbalanced symbolic order” (Mulvey, L 1989). The representation of sexuality in cinema is often overlooked because of the very gaze that it has created in its audience which has meant we often come to expect an illusionary symbolic order specific to cinema. Films of the 50’s would have found it very hard to represent homosexuality in a socially acceptable form because it had been identified by the patriarchal society through laws and the media as wrong. Far and away, a recent movie used these modes of signification and juxtaposed them to create a movie that in effect never would have happened. Using 50’s filming, character and narrative techniques the storyline raised sexual and racial issues that would have been frowned on during that time. Other examples of change in the representation of sexuality can be seen in the icons and role models that grace our daily press, radio and television. Some critics even argue that there has been a movement of fashion whereby humans have become sexless in terms of their identity and famous icons such as David Beckham have crossed sex and race boundaries by borrowing fashion from what is traditionally women’s and black culture styles. These are simply features of culture and identity but they go some way to show how the representations in the media of sexuality have changed and to some extent moulded terms of social acceptance.

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For Sigmund Freud sexuality is a result of our psychopathology and he believes that we are born bisexual and sexualised in our early childhood development (Freud 1974). Foucault however is a strong advocate of a non-essentialist approach to sexuality believing that it is something constructed over our lifetimes “and within the context of our own particular historical epoch” (Stokes, J 1999: 266).

In his historical work Foucault saw discourses of sex being first brought to light by Christianity where discourse about sex was formed though the idea of confessing ones desires. From there sex as an inner truth spread ...

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