How would you wish your audience to respond to the scene in which the Guard first approaches King Creon to tell him that Polynices' corpse has been buried? Explain how you would want to achieve your aims.
Jessica Clayton - Lower VI
Through the Guard's comical behaviour and King Creon's contrasting cruelty and intimidation, I feel this scene is vital towards making the play a success with its' audience. In order to bring out the comical element in the play, I would direct the Guard to enter the stage slowly, peering out from behind one of the columns on-stage - as if very scared and intimidated by Creon, who I think should be sitting on a throne on a raised platform. I think this would be visually entertaining to an audience, as it would create a contrast to the previous mood in the play. The Guard could provide a comical element again, when he shuffles onto the stage, stuttering and stammering to deliver the news to Creon:
GUARD: My Lord....
CREON: Yes, what is it?
GUARD: Sir, I wouldn't like you to think...er...that is...
When Creon replies to the Guard, he should be impatient and abrupt and I would direct the Guard to step back so that he is almost hidden behind the column, to show how frightened he is. His nerves should also show when he starts to tell Creon of what happened ('My Lord, it's not running that's made me out of breath...') - instead of being frightened, the Guard should instead ramble and talk at a quick pace to add a sense of humour to the situation. As the director, I would want the audience to find this particularly amusing because there is little light heartedness to contrast with the rest of the play.
Jessica Clayton - Lower VI
Through the Guard's comical behaviour and King Creon's contrasting cruelty and intimidation, I feel this scene is vital towards making the play a success with its' audience. In order to bring out the comical element in the play, I would direct the Guard to enter the stage slowly, peering out from behind one of the columns on-stage - as if very scared and intimidated by Creon, who I think should be sitting on a throne on a raised platform. I think this would be visually entertaining to an audience, as it would create a contrast to the previous mood in the play. The Guard could provide a comical element again, when he shuffles onto the stage, stuttering and stammering to deliver the news to Creon:
GUARD: My Lord....
CREON: Yes, what is it?
GUARD: Sir, I wouldn't like you to think...er...that is...
When Creon replies to the Guard, he should be impatient and abrupt and I would direct the Guard to step back so that he is almost hidden behind the column, to show how frightened he is. His nerves should also show when he starts to tell Creon of what happened ('My Lord, it's not running that's made me out of breath...') - instead of being frightened, the Guard should instead ramble and talk at a quick pace to add a sense of humour to the situation. As the director, I would want the audience to find this particularly amusing because there is little light heartedness to contrast with the rest of the play.