Analyis of chapter 2 of the Wasp Factory

Authors Avatar

Analysis of “The Wasp Factory” – Chapter Two

After the bleakly comical last line of the first chapter, we are introduced to the routines of Frank, and the meticulous detail that he attaches to them.

In the opening passage, we are reminded of the fact that he lives on an isolated island, which can be considered as a key gothic theme, that of a removed or mysterious setting for the plot to unravel. A gothic story always seems to employ a setting that has particular obscurity or mystery, one that is removed from society. The ruins of gothic buildings gave rise to multiple linked emotions by representing the inevitable decay and collapse of human creations. Protestants often associated medieval buildings with what they saw as a dark and terrifying period, characterised by harsh laws enforced by torture, and with mysterious, fantastic and superstitious rituals. On page 22, Frank describes his actions of killing a jellyfish while running along the beach. His actions are described in painstaking detail, to the extent that the entire passage could probably be shortened down to a few sentences. This helps to reinforce the impression that Frank is fundamentally an unhinged persona, describing his actions in an almost autistic manner.

Join now!

Secondly in this instance, we are presented with the uncanny, a term coined by Freud as “the class of frightening things that leads us back to what is known and familiar”. We recognise the features of Frank’s life which are in accordance with that of a modern society. The quotidian things that he talks about we can (generally) relate to. However it is the contrast between these everyday terms and things like the “sacrifice poles” that creates the typical gothic tool of the uncanny. On the one hand we can relate to some of Frank’s views, but on the other ...

This is a preview of the whole essay