Both The Signalman and The Darkness Out There have unexpected endings. Compare the way tension is built up in both stories so that the reader is surprised by how the stories end.

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Andrew Carter 11JH

Both The Signalman and The Darkness Out There have unexpected endings. Compare the way tension is built up in both stories so that the reader is surprised by how the stories end.

        Both The Darkness Out There and The Signalman have unexpected endings. The two stories have completely different ways of achieving the same effect of surprising the reader. They both build up suspense and show tension using different methods. Although these methods are different the stories have some similarities, the main one being that the both involve horrific deaths and tragedies. The stories were written in different era for audiences with different ideas about what was seen as ‘scary’ or interesting. The darkness out there is written in the late twentieth century after the world war. The author, Penelope Lively, uses a psychological approach to see how people’s behaviour is affected by their past. She also expresses her own views in the story to put her point across. On the other hand, The signalman is written in the late nineteenth century. The writer, Charles Dickens in this case uses the audience’s interest in ghosts and the supernatural and ‘gothic’ themes as the base for his story.

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The Darkness Out There by Penelope Lively was written in the late twentieth century. The story begins with a detailed description of one of the characters, Sandra, walking along a track at the edge of a field. The field is described as quite picturesque, it says ‘She walked through flowers, the girl, ox-eye daisies and vetch parsley’ This allows us to imagine a pretty, inviting field, full of colourful flowers. This is quite a laid back, relaxing setting for the start of the story. Next we hear a description of an area at the end of the track known as ‘Packer’s End’. Packers end I an place at the end of the its seems to be an area of scrub, left to waste, where a German war plane crashed. This immediately adds some tension because the idea of death is introduced early in the story. We also get more suspense surrounding ‘Packer’s End’ when the girl thinks ‘you didn’t go by yourself through Packer’s End if you could help it’. Also the description of ghosts of the dead German air crew are used to make the area seem spooky and eerie ‘people who’d heard them talking still, chattering in German on their radios, Voices coming out of the trees, nasty, creepy. People said’.  The fact that she knows it’s a bad place to go is emphasised in the next paragraph ‘She thought suddenly of blank-eyed helmeted heads, looking at you from among the branches. She wouldn’t go in there for a thousand pounds, not even in bright day like now’. This really shows how fearful she is of the place and how reluctant she is to have anything to do with it. She then describes the place itself, as ‘a rank place, all whippy saplings and brambles and brambles and a gully with a dumped mattress and bedstead and an old fridge.’ This is the typical description of a run down ally, with overgrown, scrappy plants. Then she again adds to the tension created by the image of death, by saying ‘and somewhere, presumably, the crumbling rusty scraps of metal and cloth and … bones?’ The question really makes you think about the possibility of the bones of the dead air crew still being there, that is extremely creepy. So far we have a strong image in our minds of the type of place nobody, no matter how fearless really wants to go. Packers End is then described with the fear children have of it, as it is a spooky, dark place, with ‘witches, wolves and tigers’ then we find out the real reasons she has fear of it, such as rapists and attackers. The entire image of Packer’s End gives us the impression something bad is going to occur, involving Sandra and Packer’s End, It turns out not to, it just involves the past from Packer’s End.

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        Sandra continues on her way to Mrs. Rutter’s house, where she is heading to take part in a help scheme for the elderly. As she nears Packer’s End she decides to hurry up a bit, showing again her fear. Then somebody jumps out from beyond a hedge. We assume Sandra is about to be attacked until we find out that the ‘assailant’ is actually Kerry Stevens, the other person helping out at Mrs. Rutter’s house.

        Kerry is instantly portrayed as a troublemaker, not only by his actions when he scares Sandra but by the way she describes him. ...

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