Compare and contrast Ted Hughes and Sylvia Plath's use of language and imagery in their poems 'Roe Deer', 'Mirror' and 'Blackberrying'.

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Compare and contrast Ted Hughes and Sylvia Plath’s use of language and imagery in their poems ‘Roe Deer’, ‘Mirror’ and ‘Blackberrying’

In this essay my aim is to compare the three poems ‘Blackberrying’ and ‘Mirror’ by Sylvia Plath and Ted Hughes’ ‘Roe Deer’. I will mainly be focusing on the poets’ use of language and imagery in the poems. In addition to this I will discuss how they transform the ordinary into quite magical objects and surroundings.

                     The first thing that stands out from all the poems is the fact that none of the three use any rhyme scheme, I think that this is because a rhyme scheme would ruin the effect of the poems. A regular rhyme scheme would alter the pace of the poems, as these are very deep and reflective poems.

In Ted Hughes’ ‘Roe Deer’ the stanzas are much shorter and are irregular. In ‘Roe Deer’ Hughes leaves one line on its own, separate from the other stanzas; ‘The Deer had come for me’- I think Hughes leaves this line separately because it is a turning point in the poem, he is so absorbed into the vision of the deer that he thinks he is a about to enter their world, he wants to believe that he is the chosen one and the deer have come to take him away. Yet this dream is destroyed straight afterwards as ‘Then they ducked through their hedge, and upright they rode their legs away from him’.

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Each of the poems has a somewhat magical feel to them. In ‘Mirror’, the poem has quite a magical feel to it, as the mirror is personified, and this makes the mirror seem alive.

In ‘Roe Deer’ Hughes produced a magical affect to his poem in many different ways; the first obvious line to select is ‘They had happened into my dimension’- I is as if there are two parallel dimensions and the deer are in the natural dimension and he is in the human dimension. In ‘Roe Deer’ it is as if he can’t fully understand and be part ...

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