Compare the ways in which Thomas Hardy and Christina Rossetti depict death and the supernatural

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Compare the ways in which Thomas

Hardy and Christina Rossetti depict

death and the supernatural

When comparing four poems, two of which each written by Hardy and Rossetti, we can see that they portray death and the supernatural in different ways. Although all the four poems have the same theme, they have all been expressed in different ways. For example, Rossetti's Up-Hill studies the transition from life to death, and it is displayed as being comforting and familiar. One way she does this is by presenting the poem as if it is a normal conversation between two people. In Who's in the Next Room? Hardy, however, makes this same transition seem very frightening and alarming. Comparing these two poems gives us a good example of how different poets can write about the same subject, and give their own interpretations, in this case, about death.

In Who's in the Next Room? There are three different people talking in the poem; a questioner, someone to answer these questions, and the spirit that is passing over to the next life. There appears to be no definite interaction between the speakers, and there is no proof that the questioner can hear the answers. This gives a sense of the spirit being completely and suddenly cut-off from life. Rossetti's Up-Hill is different in that the two speakers are responding to each other, and they are interacting. The questions that the enquirer asks are answered, making the poem more reassuring.
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Hardy's poem is very cold and chilling, and it seems as though only the reader can hear the answers. The inquisitive person is obviously very scared, and at the beginning of every verse keeps asking the same question, "Who's in the next room? - who?". This repetition of the word "who?" shows the fear and apprehension and that the question is never answered, and the repetition is like an echo, which makes the atmosphere more chilling. The person is also very unsure about what he or she sees, and is hesitant in what he or she says, for ...

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