Consider the opening scenes to Steven Spielberg's "The Color Purple."

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Alex Willson 4*

Consider the opening scenes to Steven Spielberg’s “The Color Purple." Analyse the visual and sound techniques he uses to portray the character of Celie. Evaluate the response they provide in you, the audience, and how they provoke in you, the audience, and how they contribute to the success of the opening scenes.

Steven Spielberg’s the “The Color Purple” is a film about a young girl called Celie who has to experience a lot of tough challenges in her life mentally and physically. The director Speilberg uses many sound and visual techniques to portray Celie’s character and make a bond between the viewer and her.

        Throughout the film Spielberg uses the visual technique composition which has a big part to play showing the power at the time and to help influence your feelings towards Celie in. One example in a shot Celie and Nettie are together on one side of the screen then the father comes into the shot on the other side. In this scene composition is used to show that the sisters are “united” against their father. Spielberg uses composition so the viewer responds to it and takes sides with the sisters rather than the dad. Another use of composition is when in scene five Mister is on the horse and Celie is helping along the cow this reflects the power at the time. Showing how women are second to men which make you sympathise to her even more as women are mistreated. Composition tells us lots about Celie’s it firstly emphases that Celie is the main character and that although she gets a lot of pain in the first scenes that she is a strong character and will get through it.

Another important camera technique that Spielberg uses is the close up. This is used a lot in the film to enforce that Celie is the main character and when she is showing some type of emotion to make it the main focal point and make you sympathise with her. In a very early scene when the two sisters are clapping there is a close up on them showing that they will be very important characters in the film, how important they are to each other and portrays the feeling of happiness between them. In another scene the close up moves to Celie and Nettie with the baby leaving the father out of the shot until you just see his arms grab the baby. Spielberg is very clever, as this will definitely make the viewer take sides with the sisters, hating the father even more. The close up is very good at portraying Celie’s character and makes you sympathise with Celie as she is the only person in the screen and you can see her in detail expressing her feeling.

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Some more camera techniques the low-angle shot, high-angle shot. The low-angle and high-angle shot similar to the use of composition is mostly used by Spielberg to portray the types of power people had at his time in society. He uses the low-angle to look up and make the person look big and powerful whereas he uses the high-angle to look down on the person therefore making them look small and less important. In scene three when Celie is walking with her mother’s coffin Spielberg uses the high-angle shot to create the feeling as if God is looking down ...

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