Discuss the opening scene [from the prologue until Prince's entrance in Act 1.1] of Baz Lurhman's film adaptation of 'Romeo and Juliet' in comparison with the text, with particular regard to the effectiveness of the film devices.
The film is a modern day adaptation of Shakespeare's play, although it still adheres quite closely to the original text. It opens on a television screen with a news report delivered by a reporter that gradually appears to move away from the viewer. The speech of the report is in fact all but the last two lines of the play's prologue, which is a précis of the play's events intended to introduce the audience to the story, much like a news report is an outline of a story whose purpose is to inform the viewer. This is therefore an interesting method of presenting the prologue in the modern setting - it captures the essence of the prologue whilst allowing the opening of the film a contemporary feel.
The prologue is swiftly followed by a bold pastiche of images and lines of text that highlight the fundamental themes of the play accompanied by the repetition of the first six lines of the prologue. The line 'a pair of star-cross'd lovers take their life' is particularly focused on, and the montage of shots are cut rapidly from one image to the next which reflects the pace and fervour of the lovers' courtship. The music adds to the passion of this assault of images, and the viewer is immediately made aware of the violence to come through the shots of fire, guns, the police, religious icons and fireworks.
The film is a modern day adaptation of Shakespeare's play, although it still adheres quite closely to the original text. It opens on a television screen with a news report delivered by a reporter that gradually appears to move away from the viewer. The speech of the report is in fact all but the last two lines of the play's prologue, which is a précis of the play's events intended to introduce the audience to the story, much like a news report is an outline of a story whose purpose is to inform the viewer. This is therefore an interesting method of presenting the prologue in the modern setting - it captures the essence of the prologue whilst allowing the opening of the film a contemporary feel.
The prologue is swiftly followed by a bold pastiche of images and lines of text that highlight the fundamental themes of the play accompanied by the repetition of the first six lines of the prologue. The line 'a pair of star-cross'd lovers take their life' is particularly focused on, and the montage of shots are cut rapidly from one image to the next which reflects the pace and fervour of the lovers' courtship. The music adds to the passion of this assault of images, and the viewer is immediately made aware of the violence to come through the shots of fire, guns, the police, religious icons and fireworks.