Explore the way Arthur Miller writes about justice in "A View From the Bridge". Write about the character's search for justice and the feeling that the law is sometimes inadequate. Consider the way that Miller makes use of places in the play.

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URI PAWLOWSKI

Explore the way Arthur Miller writes about justice in “A View From the Bridge”. Write about the character’s search for justice and the feeling that the law is sometimes inadequate. Consider the way that Miller makes use of places in the play.

Arthur Miller is now regarded as one of the world’s greatest dramatists. In his plays he explores the struggles of the ordinary man against authority and insurmountable odds.

 Miller's own struggle therefore with this issue is present in ‘A View from the Bridge’ as he, like the characters in his plays (such as Eddie Carbone), was faced with the problem of choosing to be American or not, specifically by naming names of people who were doing (what were considered then) unlawful acts. Miller chose to write about a community that accepted and protected unlawful people.

Miller spent two years in the shipyards of Brooklyn and was thus able to study the social background of the lives of the dockworkers in that area. Many of the immigrants were of illegal legacy and were being exploited by the people who helped bring them to America and so consequently he further advanced his knowledge of the community spirit in the slum areas of New York and the beliefs and values of the Sicilian community as a whole.

 The law however, is everywhere, and this is the role played by Alfieri in ‘A view from the Bridge’ and much of his speaking takes the form of soliloquies. His description of the people within the play and narration at the beginning of each scene helps to distinguish the different sections of the play. Alfieri is fairly unimportant in the action of the play in general, but he more importantly frames the play as a form of a modern story.

The words justice and law are frequently heard in the play. Alfieri, the lawyer for all intents and purposes is the view from the bridge. He is the all-seeing, all-knowing, objective outsider looking in, correctly predicting the forthcoming doom. His office is always visible in the wings throughout the play, and by doing this; Miller is showing the audience that the law is always there, but in the sidelines sometimes powerless to stop impending tragedy. Although Alfieri knows what will happen to Eddie, his function in the play makes him 'so powerless to stop it'. His function doesn't allow him to do more than observe.                                                                            Alfieri establishes that justice and the law are going to be important in the play in his opening speech. He sets the story that he is going to tell us in the  of history, both ancient and modern. "In Sicily, from where their fathers came, the law has not been a friendly idea since the Greeks were beaten. I only came here when I was twenty-five. In those days, Al Capone, the greatest Carthaginian of all, was learning his trade on these pavements, and Frankie Yale himself was cut precisely in half by a machine-gun on the corner of Union Street, two blocks away."

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The fact that Alfieri goes on to state that lawyers in ancient times, as well as he in modern times, were unable to prevent a "complaint" running a "bloody course" causes us to question the power and influence of the law. In other words, although justice is very important, often the law as it stands is incapable of delivering justice.                                             Alfieri believes that it is best to "settle for half": it is better to rely on written law ...

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