How does Dahl subert murder mystery conventions

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Thomas Cutler

How does Dahl subvert the conventions of the Murder Mystery genre to create suspense?

Dahl starts the story with the title ‘Lamb to the Slaughter’ which creates an idea that someone will fall victim to murder. The title conveys a violent image to the reader. ‘Lamb to the Slaughter’ is in juxtaposed to the 1st paragraph as it talks about the room being ‘warm’ and ‘clean’ whereas the title shows no signs of a warm story. The title is contrasted to the first paragraph in which the title suggests a shocking, intense, murderous storyline, whereas the first paragraph is all about the marital bliss of a housewife. This is mainly because of the feeling they give when reading it as the title is conventional however the first paragraph shows suspense.

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‘Lamb to the Slaughter’ shows the inversion of many characters, mainly through the point of view of what the reader at first believes to be the victim. This supposed victim is seen to be the lamb mentioned in the title, being innocent and weak, however this is subverted as it turns out that the victim is in fact the murderer. We also learn that generalisations are wrong once again by the fact that the general murderer is in fact the victim in the end. This change of characters builds up the tension which keeps the reader engaged and hooked on ...

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