How Does J.B.Priestley Use Exits and Entrances In 'An Inspector Calls'

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How Does J.B.Priestley Use Exits and Entrances In

‘An Inspector Calls’

J.B Priestley makes his play “An Inspector Calls” interesting by his use of entrances and exits, as they help to build up an atmosphere and massiveness around the inspector on stage.  As the whole play is set in a single room the right timing is crucial.  All of the exits and entrances can be categorised into three main sections, dramatic irony, to push the story along and to enhance the image of the inspector.

  The first three entrances and exits are made by the Birlings’ servant, Edna.  Edna is a symbol of all the Eva Smiths and John Smiths.  The Birlings treat her badly and expect Edna to wait on them hand and foot. The way the Birlings treat Edna shows the Birlings attitude towards people whose class is lower than theirs.   You can also see at the end of the play that the Billing’s attitude towards Edna is still the same, showing that Mr and Mrs Birling have learnt nothing from Inspector Goole’s visit, as they expect Edna to stay up through the night just to make them a cup of tea.

  The play starts off with Mr Birling talking to Gerald about his strong Capitalist views.  As the play was written in 1944 Priestly uses past events to make Mr Birling sound arrogant and opinionated. Mr Birling says “The Titanic, she sails next week… unsinkable, absolutely unsinkable…”  He also wrongly predicts that the rumours of the on-coming First World War are not true and that it will never happen. Sheila makes a remark about her fiancé, Gerald, never seeing her throughout the summer.  Eric laughs at this remark, which could indicate he knows that Gerald had an affair.

In the forth entrance Priestly uses dramatic irony when the audience first meet the Inspector.  Mr Birling is selfishly talking about only looking after yourselves and moaning about socialist cranks.  Just before the door bell rings Mr Birling- “But the way some of these cranks talk and write now, you would think that everybody had to look after everybody else, as if we were all mixed up together - community and all that nonsense.” This is also dramatic irony as it turns out that the Inspector represents socialism.  When Inspector Goole enters, the lighting changes from a warm and cosy pink of the engagement party to a hash white light.   This helps builds up an atmosphere and massiveness around the Inspector and also shows that the mood and the atmosphere are about to change.  Mr Birling has also commented on how he should get a knighthood as long as they don’t get into trouble with the Police, which causes dramatic irony when a Policeman arrives.

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  When Shelia enters the Inspector questions her.  When Inspector Goole first tells Shelia Eva Smith’s name she doesn’t recognise it but when he shows her a photograph she bolts out of the room crying hysterically.  This shows the contrast between Mr Birling’s “hard headed” attitude and Shelia’s uncontrollable guilt, which are juxtaposed for affect and contrast.  Soon after Shelia re-enters the dining room and confesses to the Inspector.  This is to push the story along.  Mr Birling flatly refuses to show any remorse or to take any responsibility in Eva Smith’s death.  Inspector Goole then tells everyone in the ...

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