"Like so many of Shakespeare's tragedies, the ultimate tragedy of 'Othello' is caused by a fatal law in the eponymous hero" - Evaluate the truth of this statement, drawing in references from other sources where possible.

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Othello- By William Shakespeare

“Like so many of Shakespeare’s tragedies, the ultimate tragedy of ‘Othello’ is caused by a fatal law in the eponymous hero.”

Evaluate the truth of this statement, drawing in references from other sources where possible.

Fatal flaw is an entity present in everyday situations, which can lead to complications in a person’s life. It could be a person’s greed to eat, to someone being impetuous and rash. Fatal flaws such as pride, status, greed, power, ambition, infatuation and jealousy are present in the Shakespearean tragedy ‘Othello’. Ultimately in the tale it is jealousy, which over powers the eponymous hero to kill his beloved wife and himself. I strongly believe that the tragedy illustrated in ‘Othello’ is indubitably the hero’s fatal flaw; Jealousy is solely to blame and is the flaw, which leads to ruining his relationship, friendship and eventually ending his life.

Throughout the play Othello is constantly being referred to as ‘the Moor’, which is a member of the Muslim group of people from mixed Arab Berber decent. This is also racially abusive to ‘Othello’ as it consigns to his race and shows other character’s depriving him of his ethnicity and individuality. Other individuals convey their feelings about ‘Othello’ by saying terms such as ‘the thick lips’, ‘Barbary horse’ and ‘old black ram’ to express ‘Othello’s’ facial qualities.

Jealousy or distrust shown in the catastrophic play is described as ‘tyrant of the mind’ in John Dryden’s ‘Songs Of Jealousy’. ‘The green eyed monster’ is symbolized in Othello throughout the play. We first witness jealousy in Othello when he has blindly placed his fate in ‘Iago’, who has concocted a plan to ‘abuse the Moors ear’ and ‘Othello’ listens as he is slowly eaten by the jealousy Iago has sown. Othello is seen to have put his conviction in Iago who appears to be truthful but whom we know is actually quite the opposite. This is constantly referred to when he is called ‘Honest and true Iago’. This is dramatic irony observed through out the play. It creates vigilance towards Iago for causing the ruination of Othello. Othello right through the play listened to Iago, as he constantly lied and caused doubt in the mind of Othello as he had planned. ‘I endure him’ ‘into a jealousy so strong’ and we as the audience slowly examine the traps set up by ‘honest Iago.’  

Iago’s plot to wreck the ‘Moor’ was established when he planted the falsehood story of his wife unlawfully sleeping with Lieutenant Cassio. Othello obviously asking for evidence that such illicit affairs took place gave Iago an opportunity to conceive more deceits in his vengeful plan. So ‘true Iago’ then poised Othello that the ‘first gift’, which he described as being ‘possessed’ and ‘magical’ he gave to his fair love, was seen with Cassio. ‘Did I today see Cassio wipe his beard with?’ Othello in damnation watched with his ‘possessive eyes’ Cassio with the handkerchief ‘by heaven, that should be my handkerchief!’ And with this Othello was sure his ‘honest creature’ was truly false and that the ‘heavens [truly] mock itself.’ Othello, once a clam and humble being was now indeed ‘ a jealous guy.’

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Conspicuously Othello ‘was blind[ed by his] jealousy’ like Billy Fury, that his faithful creature was being adulterous.

Othello is now disgusted to see Desdemona and is even more aghast to hear her speak about Cassio.

‘T’atone them, for the love I bear to Cassio.’

‘Fire and Brimstone!’

Emotions such as these are also noticed in the ‘Man Watching’ where the boyfriend/husband is jealous to see his girlfriend/wife acting flirtatious with another man. ‘Eyes burn into your back while my insides burn with rage.’  Although this is a different setting to ‘Othello’ it is similar as both characters ...

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