Lockwood's Dreams.

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Lockwood’s Dreams

        Dreams are an important key to knowledge in the novel ‘Wuthering Heights’, and the dreamwork and hallucinatory elements of the text have anticipated twentieth century psychoanalytic criticism (the theories of Sigmund Freud). Lockwood’s dream of the child Cathy begging to be let in is disturbing on two levels. It is grisly, and the gratuitous cruelty of him sawing her wrist against the broken glass is uncomfortable, it is also disturbing because neither Lockwood nor Heathcliff really believe that it was a dream. It therefore doubly resists integration into the rational.

        When you look at the previous events of the novel up to the point of the dreams, Bronte tries to build up anticipation and eeriness so that the actual dreams come as a climax to the events preceding them. You definitely tell that something is going to occur at Wuthering Heights as it is fully described with an abundance of mysteriousness and has an unnatural feel to it. When it says ‘Wuthering being a provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather’. Stormy weather can always show a state of unnaturalness to a place. Bronte also shows almost an absence of  sunlight,

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 ‘...and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun

, which could show a deficiency of sunlight , this always shows a place of goodness and as such shows an lack of goodness here. This shows that an occurrence may be pending which concurs with the preceding descriptions theme. There are also references to disturbing nature and language,’...surrounded by swarm of squealing puppies; and other dogs haunted other recesses.’ The part when Lockwood gets attacked by the dogs is another bad occurrence which may propose that this place has strange ...

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