Look again at An Advancement of Learning by Heaney and An August Midnight by Hardy. With reference to the ways each poet uses language, compare and contrast what the speakers in the poems say about reactions to nature. Which poem do you prefer?

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Look again at An Advancement of Learning by Heaney and An August Midnight by Hardy. With reference to the ways each poet uses language, compare and contrast what the speakers in the poems say about reactions to nature. Which poem do you prefer?

An Advancement of Learning by Heaney and An August Midnight by Hardy are two poems that deal with reactions to nature in a realistic, non-idealised way. They deal with creatures that normally are overlooked in poetry: rats and insects. In examining the reactions to nature, a good place to start is the titles of the poems.

Starting with Heaney, the title An Advancement of Learning is a direct quote from Francis Bacon, a 17th century philosopher. This suggests that the poem will have an element of philosophical depth and that the reaction to nature will involve a revelation of some kind. Hardy’s title, An August Midnight, features a contrast between a word associated with light and another associated with darkness. This emphasises that the reactions to nature in the poem deal with the dichotomy between man and beast.

Furthermore, the imagery used by both poets is a key way to understand the reactions to nature. They both begin by setting the scene. An Advancement of Learning opens with the speaker walking alongside a river. He admits that he was, “(As always, deferring the bridge)” The use of parenthesis give it an almost confessional tone, conveying that he was ashamed of his fear. We also read that the swans were, “dirty-keeled,” which likens them to an old ship. This is a startling reaction to nature because it is so different to the way swans are normally presented as majestic creatures. This discord prepares the way for the rat.

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Similarly, Hardy sets the scene in An August Midnight using phrases such as, “a waving blind,” which suggests that window was open and, “the beat of a clock from a distant floor.” Perhaps Hardy is trying to convey how time can warp our reactions to nature. After all, we experience more irrational fear at night than during the day.

Both poets then go on to speak of their initial horror when dealing with these creatures. Heaney uses a cacophony of negative imagery, such as, “Something slobbered, curtly, close.” His use of both sibilance and alliteration mimic the sounds made by ...

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