Many Of The Most Interesting Characters In The Merchant Of Venice Are Torn Between Their Head And Their Heart In Solving Various Problems. Comment On The Importance Of This Juxtaposition

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Jonathan Hobbs                                                          -  -                                                              02/05/2007

Many Of The Most Interesting Characters In The Merchant Of Venice Are Torn Between Their Head And Their Heart In Solving Various Problems.  Comment On The Importance Of This Juxtaposition

The first problem posed in The Merchant of Venice is that of Antonio who is wondering the reasons for his feeling weary and down.  Like a typical, well-respected Renaissance gentleman, Antonio goes about his predicament in an intelligent manner.  He looks within himself, down to his centre of being to try and discover the rational meaning of his emotions – he searches to the very core of his soul.  With clear objectives, Antonio uses his head and thinks philosophically.  There is no hint of rash self-pity or bemusement, only incisive cogitation.  This shows how Antonio can be a calm, measured man, capable of carefully thinking things over in order to come to the best conclusion – he can control his natural impulses and uses his intellect to reason.  It reflects his attitude to his job and Antonio is evidently a competent and successful businessman.  He deliberately fathoms out the cause of his sorrow and is able to comprehend the true meaning of things.  Antonio eloquently dismisses his friends' reasoning, ignoring Salerio's vivid scaremongering imagery and responding with the measured, "My ventures are not in one bottom trusted" (I, i, l. 42).

However, Antonio's response to a later problem provides a stark contrast to his apparent shrewd composure and calculated deliberation.  Although he is clearly able to comfortable and skilfully trade with large sums of money in business, when it comes to personal relations, Antonio's apperception of important issues is rather lacking.  His lack of concern in relation to loaning the indebted Bassanio an exorbitant amount of money is so absurd it even brings us to question how deep Antonio's love for such a close friend is.  Away from business transactions, his heart rules his head and Antonio gives in to Bassanio's cunning attempts to have his latest expedition financed for nothing.  By merely throwing in snippets of emotional blackmail and petty childhood mental pictures, Bassanio convinces the overly generous Antonio to say, "My purse, my person, my extremest means/Lie all unlocked to your occasions" (I, i, ll. 137-8).  In this scene Antonio displays a distinct lack of self-control, awareness and rationality.  By giving in so easily to Bassanio's wordy spiel, he displays a mind that can behave in drastically different ways.  One moment, Antonio is the definitive ponderous intellectual and the next, he's a whimsical weak-willed loveable old man with too much warmth in the bottom of his heart.

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Shylock is another canny businessman who is unlikely to be irrationally swayed by his emotions in an important usury deal.  He is calm, collected and knowledgeable because he knows he is well informed from his contacts upon the Rialto.  When dealing with Bassanio and Antonio, Shylock is very cunning and avoids awkward questions whilst keeping the negotiations efficiently short, sharp and to the point.  This is emphasised by the short line lengths and quick interchanges at the beginning of scene three.  The haggling is not convoluted, though Shylock is wary and deliberative – he never allows his head to ...

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