signal man

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Joe Spiro 8219

Signal Man, The Monkeys Paw and The Red Room

‘Signal Man’, ‘The Monkeys Paw’ and ‘The Red Room’ are three short stories that are all important classic elements of mystery, showing trepidation and fascinate. It has a very sinister setting in all of the three stories. There is also supernatural events, which add a sense of the unknown and the unpredictable; blood and death linger in the background. All of these features are explored in language carefully angled to establish unbearable tension.

In the ‘Signal Man’ the narrator describes the location of the signal man as an ‘extremely deep’ and ‘unusual precipitous’ slip, ostracizing all view but ‘a strip of the sky’ which can only be seen between the ‘dripping-wet wall of the jagged stone’ on either side of the slit. The narrator recalls ‘a singular air of reluctance or compulsion’ as he goes down the long path that the signal man has pointed out quite clearly. ‘So little sunlight ever found its way to this spot’ suggests the loneliness of the place is extreme which means strange things are very likely to happen.

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The same technique is used in ‘the Monkeys Paw’ and ‘the Red Room’. ‘The Monkeys Paw’ is set out in a ‘far out’ ‘beastly, slushy, out-of-the-way’ place that suggests that this place is isolated and something strange may occur. In addition, a vague description of weather is given at the beginning of the text, as ‘as the night was cold and wet’.

‘The Red Room’ is set in an ancient house in which a young duke has died. Its ancient rooms and primitive mystery lead us to blood and death.

In ‘the Signal Man’, there are only two main characters, ...

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