Theme's from A View from a bridge

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A View from a bridge essay

        ‘A View From The Bridge’ is set in early 1950’s America at a time when it was very common for illegal crime syndicates to transport illegal immigrants into America for large sums of money. It is based around a small family who decide to have two of their relatives imported from Italy so they can try and make some money for their poor families back home.

The play covers many issues including aggression, hostility and the true role of a man to his family. Hostility starts when Roldolfo and Marco get transported from Italy to live with the Carbones. Roldolfo does not conform to Eddies views of “manliness”, since Roldolfo is not big and strong like him.

Eddie works in a male dominated dock yard and has a very stereotypical view of men and their roles, he believes they should be strong and protective to their families. Eddie thinks it is very important that he is given respect, we know this because halfway through Act two Eddie Shouts at Beatrice telling her “I want my respect”. He sometimes wants more respect than he deserves, even though Beatrice tells Roldolfo and Marco to move out he tells her “I don’t like the way you talk to me, Beatrice” this makes Eddie seem like a bully.

Conflict begins when Eddie shows his dislike for Roldolfo. Eddie says that Roldolfo “is not right”, and the only reasons he can give for this is that he has blonde hair, sings and can make clothes.  

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Marco shows conventionally masculine characteristics. For example when Eddie can’t lift the chair and Marco can with hardly any effort. This hurts Eddie’s ego and makes Eddie feel threatened; the only way Eddie knows how to deal with felling threatened is to be aggressive. Eddie dealing with his emotions like this shows that Eddie is very badly educated and in some ways immature. You can tell Eddie is badly educated by his use of language, he shortens a lot of his words, such as are not he shortens to “ain’t”. But conflict also occurs on a smaller scale when Eddie tells ...

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