What makes Act three of the crucible such an exciting scene to watch? How can this excitement be maximised by modern staging technique?

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What makes Act three of the crucible such an exciting scene to watch? How can this excitement be maximised by modern staging technique?

Act three of The Crucible is an exceptionally exhilarating scene due to the playwright’s development of dramatic tension, which captures the audience’s attention.  It is set in 1692 in Salem’s witch trial.  This scene is particularly moving because a group of teenage girls condemn the whole village and the end sentences many good people to death.

The court scenes were times of tension, intensity, pressure and conflicts between powerful authorities refusing to realise they have signed innocent lives on the strength of a lie.  Also things are permanently and physically changed when they are turned from one thing into another.  This is reflected by the fact that many characters in the play are exposed to high pressures during the trial. This pushes many characters to the limit of reason and changes them mentally, physically and spiritually.

Act three is particularly exiting as it is the part of the play that moves rapidly and characters behave with indescribable drama.  This act is set in one of the rooms of Salem’s meetinghouse, a building at the heart of this religious community, which is now serving as the courtroom for the trials.  

The stage is empty at the start of the act and we are made aware of the voices off stage as we listen into the proceedings of Martha Corey’s trial. The courtroom shows one door leading outside and two doors leading

into the main room of the meetinghouse.  Metaphorically suggesting that the route out of the courtroom is more difficult than the way in.

 The tone of the play becomes more sinister in Salem’s meetinghouse.  As Martha Corey adamantly denies any involvement in hurting the children, we know this from when Hawthorne says,

 “Why do you hurt these children?” he should raise his voice and sound very concerned.  Martha replies,

“ I do not hurt them.  I scorn it!” she should say it loud to so the tension can rise from the beginning.

 

The setting for the action also becomes more serious and threatening within the forbidding room as Giles Corey accompanied by Francis Nurse bursts into the courtroom shouting,

 “I have evidence for the court” defending his wife.  The pace of action becomes extremely rapid.  This makes it exciting for the audience. Herrick furiously drags him out and soon after is joined by the rest of the courtroom.  The court refuses to hear them and attempt to dismiss them. This shows that the court is angry just in case people turn against them.  At this point Mary Warren arrives with John Proctor and favour Giles they back them up saying that the girls are frauds.  Paris desperately tries to stop their testimony as he is on the girl’s side.

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Proctor is in serious danger of getting arrested as Cheever brings up the incident in which Proctor ripped up the warrant for his wife and the men debate the possibility that he is attempting to make an attack on the court. Proctor then presents a petition attests to the innocence of the accused women.  Ninety-one people signed the petition.

 Danforth says to Francis Nurse who is trying to prove his wife is simply the victim of scheming townspeople.

“This is a sharp time, now a precise time we live no longer in the dusky afternoon when ...

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