Wuthering Heights

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David Curnick

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Heathcliff – Wuthering Heights Essay

The readers of Emily Bronte’s Wuthering Heights have different views of the character of Heathcliff. His state of mind changes throughout the novel and his personality takes a dramatic alteration during Volume I. This essay will look at the character of the misanthropist, Heathcliff, and how the readers view him at different stages in the book.

In chapter 1 of Wuthering Heights, the character Lockwood meets Heathcliff. Straight away Lockwood has an instant opinion of Heathcliff. Lockwood describes Heathcliff as quite abrupt in his manner of speaking. His tone of voice is described as a ‘genuine bad nature’. The reader, at this point, doesn’t like Heathcliff too much. He is seen as rude and aggressive. The reader views him as unfriendly, brooding character. Lockwood also says that the house looked like it belonged to ‘a homely, northern farmer’. This image is Lockwood’s stereotypical view of Heathcliff.

Heathcliff’s appearance is also spoken about. Lockwood calls him a ‘dark-skinned gypsy’. This term would suggest that Heathcliff is an outsider, some one who has no friends and is left out of everything.  However, he is also said to have an ‘erect and handsome figure’. The personal appearance of Heathcliff contradicts with his personality. Heathcliff is a character of many contradictions. By the end of chapter one, the reader sees Heathcliff as a cruel and vulgar character.

In chapter 3, Lockwood reads part of Catherine’s diary. From it he finds out about the traumatic childhood Heathcliff experienced, and his stepbrother, Hindley, had treated him badly. I can see this from a quote that Catherine says, “Poor Heathcliff! Hindley calls him a vagabond, and won’t let him sit with us, nor eat with us”. These are harsh actions from Hindley, as Heathcliff is cast aside as a loner. The term vagabond refers to the tramp status that Heathcliff has attained. By the end of this chapter, the reader has slightly changed their view of Heathcliff. We see love and compassion deep in Heathcliff’s soul that is shown when the name Catherine is mentioned. Heathcliff’s character encourages sympathy and repulsion.

We can tell that Heathcliff is in agony, after the appearance of her ghost. He calls out her name, pleading for her to return ‘once more’. However, we also discover his cruelty and his calculating and manipulative side.

The next chapter shows an important part of Heathcliff. Nelly Dean, the housekeeper, is introduced. She begins to tell Lockwood about Heathcliff and his history. We see the terrible time that Heathcliff experienced as a child. When brought home by Mr. Earnshaw, Catherine welcomes him lovingly. However, the sight disgusts Hindley. Heathcliff is described as a ‘dirty, ragged, black-haired child’ He is also called a ‘gypsy brat’ and is constantly referred to as ‘it’. This use of words dehumanises Heathcliff. The reader now feels sorry for Heathcliff and pathos, due to his upbringing.

Heathcliff is depicted as having a ‘cuckoo’s’ history. This is significant, because the cuckoo bird is known for stealing the nests of other birds. This reflects how Heathcliff usurps the roles of the other people. It becomes relevant later in the book.

Heathcliff and Catherine are seen as really close friends. They are very mischievous together, and the reader can automatically see how much Heathcliff cares for Catherine. Their love for one another seems to go slightly beyond and brother and sister relationship.

The end of chapter 4 shrouds Heathcliff shrouded in mystery. He is known to despise company and society, but enjoy isolation and solitude. The stormy moors reflect the character of Heathcliff with pathetic fallacy. Heathcliff is an outsider. Hindley rejected him, and even Catherine spits at him when she first see him.

In chapter five, Mr. Earnshaw dies, causing the protection of Heathcliff to disappear. Hindley is now free to torment Heathcliff more. The reader can still feel sympathy for Heathcliff.

Chapter six shows the start of the slow separation of Catherine and Heathcliff. Without the protection from Mr. Earnshaw, Hindley treats Heathcliff horribly. There is a lot of evidence for this, but one of the more horrible things Hindley does is when Catherine and Heathcliff are out in the moors at night. Hindley tells the other staff to “bolt the doors” and he made sure “nobody should let them in that night”. This is something wicked that Hindley does, as the children are only young, yet he still leaves them out on the dangerous moors. Heathcliff is essentially victimised by Hindley, who takes every opportunity to exact revenge upon his old enemy. Heathcliff’s words are violent and malicious. This represents his extreme character, which hints at his envy and bitterness towards Edgar, whom Catherine is spending a lot of time with.

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An important chapter is chapter seven as it shows the changes that are occurring in Catherine, which eventually cause the changes in Heathcliff. Catherine has been spending a lot of the time with the Linton’s. She has changed dramatically, so that she is hardly recognisable compared to her previous self. From her time with the Linton’s, Catherine had become more mature. She still cares for Heathcliff, but is spending less and less time with him. She has become very shallow and judges Heathcliff on his appearance. Catherine says, ‘Why, how very black and cross you look! And how – how ...

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