Comparison of Two Pre Twentieth Century Poems: Four Years and Funeral Blues

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Comparison of Two Pre Twentieth Century Poems: Four Years and Funeral Blues

I shall be looking at the poems Four Years, written by Pamela Gillilan, and Funeral Blues, written by W. H. Auden, and comparing how alike they are. They are both poems about death and the loss of a loved one, and I shall look at even though their subject is the same, how alike have the poets written them.

The characters in the two poems are at different stages of mourning and so their emotions are different. As the person in Funeral Blues had just died, the character was angered and upset, whereas the person in Four Years had died four years ago and so the character is very calm. The woman created by Pamela Gillilan is very sad and slow at responding as if she’s very weak. This is different to the character in W. H. Auden’s poem, as they are very sharp and wants action taken. Auden gets across this sharp anger with action words such as “stop”, “cut off”, “prevent” and “silence”. These are all very strong verbs and are very different to the calming feel that Gillilan brings out in her poem. She creates this calm atmosphere by making the importance of little things to this woman huge. You can see how small things matter a lot to this woman such as “an eyelash” or “a hard crescent cut from a fingernail”. All these objects are things that she wants to cling on to. In Auden’s poem, the character is ready to “dispose” of the partner, and wants it confirmed to the world that it is over:

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“Scribbling on the sky the message He Is Dead”.

This finality makes the poem seem somewhat bitter, and is different to the character in Four Years. Here, the character does not want to dispose of anything, or for it to be confirmed that the man is dead, and instead clings on to anything possibly left of him.

The poems are similar as the characters in both poems feel as if they cannot go on without the person they have lost. In Funeral Blues, the character is trying to make the world stop and see that life cannot be the ...

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