Examine the design argument for the existence of God.

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Abby-Jane Hunt.                                                                15.20.03.

Examine the design argument for the existence of God.

The Teleological argument-also known as the design argument is an a posteriori argument. This means that the truth of the proposition may only be known to be true after experiential evidence has been used to prove the proposition true or false.  In other words, we have to experiment with the proposition before a conclusion can be drawn.

The argument is based on observation of apparent order in the universe and the natural world, to conclude that it is not all the result of chance but of design.  The world has such design in it, that a designer must have been the reason for such intricate details.  Thereby pointing towards God.  

Socrates- “ With such signs of forethought in the design of living creatures, can you doubt they are the work of choice or design?”

In the above quote, Socrates is saying that when you look at creatures you can see that their design was planned before the actual creation process.  So, by looking at this can you still say that they are simply the way they are by chance and not choice or design?

There are four basic points that lay out the classical argument for design and they are:

  1. The universe has order, purpose and regularity.
  2. The complexity of the universe shows evidence of design.
  3. This design leads to think of a designer.
  4. The designer of the universe is God.
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These points are laying out facts to us.  They are pointing out that the way the universe is everything has a purpose- men and women are there to reproduce, food to eat, chairs to be sat on etc…. , and that everything is designed with such sheer detail that it had to have been designed. Take the human body for example.  We are designed symmetrically.  Surely it cannot be an accident or luck that we have two eyes, two arms, four fingers on each hand and so on.  Maybe if we were created by chance one or two people ...

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