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Fathers and Sons Analysis on ending was Turgenev trying to depict the novel as optimistic or pessimistic?

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Fathers and Sons - Analysis on ending - was Turgenev trying to depict the novel as optimistic or pessimistic? I would like to show how the novel, Fathers and Sons is more optimistic than pessimistic, through the way in which nature is often seen to depict hope, or signs of love and romanticism in a good light. The first important part that nature play in the novel is in Nikolai's perspective, after he realises how his son has changed (on page 131) thus leading him back to his old memories. He uses nature as an escape, and it's not pessimistic in any way because Nikolai clearly still knows how to love and appreciate nature, music is one of his great hobbies Mind us that the memories he links nature with are about happiness, beauty, all those sweet memories that he likes to reminisce about. "He would look up into the red sun...sweet memories." ...read more.


This concept clearly seems linked with romanticism to me. Both characters use a scientific interest as an excuse for their mutual feelings. The fight scene between Pavel and Bazarov also starts in a pleasant setting, witht he 'glorious fresh morning' , very unlikely setting for a conflict and we can see later that they develop something other than hatred of each other when Bazarov kindly tries to heal him. His manipulation of Fenichka, and the rose - a romantic symbol - shows that Bazarov could clearly be capable of romance and love if he really loved Fenichka, it's only because his pride was hurt by Anna that he takes this chance to control someone. We can also see that when Bazarov uses nature as an outlet for his emotions of love for Anna, such as going to the forest - you can say a wild version of a garden - or into the hayloft, without being aware that he is acting somewhat romantic. ...read more.


Moreover, if we look at the final part of the novel, we can see how Bazarov's grave is set upon where no 'man molests and nom animals tramples upon, on the birds' perch on it and sign at dawn'. It's quite melancholic and tranquil, definitely not pessimistic, and the young fir trees besides Bazarov can be seen as a symbol of rebirth. More importantly, the last line tells us however sinful and rebellious the heart hidden in the tomb - Bazarov's, there are 'flowers growing over it peep at us" This shows hat even Bazarov can seek peace, and that life goes on as the flowers that grow over it tell us about 'everlasting reconciliation' which is obviously a positive force, and therefore more optimistic than pessimistic. In conclusion, due to the apparent romantic links between the characters as hinted through the use of nature's beauty, and the fact that the central character (Bazarov's) ending does not seem to be so fatal - but rather conveying a sense of serenity suggests that the novel overall is more optimistic than pessimistic. ...read more.

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