Consider the proposition that Dr. Iannis is the hero within 'Captain Corelli's Mandolin'.

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Sunday, 17 November 2002                  Jad Salfiti

A2 English Literature

Consider the proposition that Dr. Iannis is the hero within ‘Captain Corelli’s Mandolin’.

‘Captain Corelli’s Mandolin’ is ultimately a triangulated love story, about a woman, Pelagia, who is stranded between two men, Dr. Iannis and Captain Corelli. Dr. Iannis and Captain Corelli have completely different trajectories through the experience of war; however both are transformed by war. It might be argued that either of these two men are the heroes within the novel, Corelli more-obviously for the simple reason that the novel’s title is about him, or a part of him, his mandolin. A hero, in mythology and legend, is a man, often of divine ancestry, who is endowed with great courage and strength, celebrated for his bold exploits, and favoured by the gods.   However in modern times a hero is a person noted for feats of courage or nobility of purpose, especially one who has risked or sacrificed his or her life as Iannis has.

In this essay I will be arguing otherwise, that the Doctor Iannis is the hero of the novel.

Dr. Iannis is the neutral, philosophical and moral force within ‘Captain Corelli’s Mandolin’. He is to be the author of the ‘History of Cephallonia’, a self-appointed role of documenting the spirit of the people of past and present on the island of Cephallonia. The conflict between the private and public (domestic) and minor with Meta are important themes within the novel and the Doctor’s difficulty with writing the ‘History of Cephallonia’ in bloodless and objective terms best emphasises this struggle because Iannis sees the world in subjective and almost private terms like any other person.

Through the ‘History of Cephallonia’ we see history retracted from the consciousness of the lives of individuals, the two worlds of history and myth become indistinguishable. “It was an island filled with Gods” interestingly, the Christian myth (monotheism) co-exists with the classical myth (polytheism) and the spiritual and divine come together.

Doctor Iannis is a device for comical relief, and is the comic hero within the novel, this is best illustrated in the first chapter. The first chapter shifts between a omniscient and all-knowing narrative viewpoint to the Doctor’s viewpoint. It commences with Doctor Iannis treating a patient, Stamatis, by rather humorously removing a pea out of the Stamatis’ ear. The doctor describes very simple situations in complex terms “you have an exorbitant auditory impediment”, his lexis is self-conscious, and he uses deliberately obscured literary language as a device for comic effect. An evidently academic doctor purposely speaking to an unintelligible ‘old man’ in scholastic vocabulary is a prime example of absurdity, Iannis is very aware of this “his irony apparent only to himself”, and it becomes clear the doctor uses the language because it makes him seem mystical and mysterious to the simplistic villagers he has treated. Iannis’ idiolect also establishes his individuality. The doctor is aware that his intellect imposes a dichotomy between him and the other villagers and throughout the novel he seems to embrace this higher ground granted to him by grateful villagers, however there is still an element of isolation especially since the absence of his wife, and ultimately his ‘gift’ ostracizes him and acts equally as a hindrance.

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Chapter eight “a funny kind of cat” exhibits Iannis’ social conscience and heroic qualities under ‘normal’ circumstances. In this chapter Iannis rescues Psipsina; a pine marten, that Lemoni has found trapped. Iannis is sceptical at first; however as soon as he lays eyes on the little pine marten he feels “moved in a matter that struck him as quite strange and illogical”. Lemoni views Iannis as “the man to whom she had entrusted its [Psipsina’s] salvation”, it becomes evident that he has dedicated his life to helping and curing the living. This extract is important because Iannis is going ...

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