event than the facts. In Twilight: Los Angeles 1992 the monologue by Bill
Bradley entitled "Application of the Law" contributes more to Smith's piece than
does the monologue by Elaine Brown entitled "Ask Saddam Hussein," because when a
Senator notices the reality of racism it seems authentic. Although both Bradley
and Brown give similar information it is ironic that a white Senator showed more
anger toward racism than the former Black Panther.
When Senator Bradley begins telling his story his he points out how our
society still has inequalities as he says, "I mean, you know, it's still...
There are people who are, uh, who the law threats in different ways" (Smith:
214). The following statements Bradley makes during his interview shows his
anger for racial differences. When Bradley informs the reader about an African-
American Harvard Law School student who experienced unjust treatment by the
police. Bradley's anger is expressed through his statement, as he says, "He
pulls over. Police car pulls in front...behind...beside of him. Police jump
out, guns, pull him out of the car, throw him to the floor, put a handcuff on
him...All the while pointing a gun out at him" (Smith: 215). It is not fair
that this African-American Law School student has to put up with racism just
because his skin color and the "well-to-do" neighborhood he was driving through.
Bradley's anger shows the reader that racism should not exist because our
Constitution says, "all men are created equal." Bradley is an important
character to Smith's theatrical piece because he is a white Senator who can help
influence decision making. Bradley lets the reader know that he is doing all he
can to make the "theory" of equality a reality for all races.
Unlike Senator Bradley, Elain Brown's reality was growing up as a black
woman in an "unequal" society. In Brown's interview she tries to convince young
brothers to pick up the books instead of the guns. Brown a former Black Panther
leader shows a personal sympathy for Jonathan Jackson, as she says, "I think
that this idea of picking up the gun and going into the street without a plan
and without any more rhyme or reason than rage is bizarre and so, uh...And it's
foolish" (Smith: 228). Brown's contribution to Smith's theatrical piece is
limited because she does not show the authentic anger like Senator Bradley.
Even though both Senator Bill Bradley and former Black Panther leader
Elaine Brown gave similar messages, their presence affects the reader in a
different way. After reading Bradley's monologue, I felt elated and anger.
When Bradley questioned the partner at the law firm as he ask, "What did the
partner of the law firm do on Monday? Did the partner call the police
commissioner?" (Smith: 216). When Bradley begins asking question he lets the
reader know that he is also bother by racism.
Yet in Brown's monologue racism is not the problem. Brown wants to
convince the reader that guns are not worth his or her life. Brown tells the
reader, "all one has to do is ask, to ask the Vietnamese or Saddam Hussein about
the power...of the United States" and how they take down threats (Smith: 228).
Brown wants young brothers to realizes how important their lives are to our
society.
In Twilight: Los Angeles 1992 when Anna Deavere Smith says, "Every
person I include in the book, and who I perform, has a presence that is much
more important than the information," Bill Bradley and Elaine Brown are just a
few of the characters Smith is describing. Bill Bradley was a white Senator who
people might have thought would have agreed with the actions of the LAPD but
ironically he was angry. Senator Bradley's monologue contributes more to
Smith's theatrical piece because of this irony. I wonder what our world would
like if we had more Senator's like Bill Bradley?
