Commentary on Donne's Valediction : Forbidding Morning.

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Commentary on Donne’s Valediction : Forbidding Morning

One of the hardest things to do is to leave someone that is dear to us, and convince them its ok. John Donne does so brilliantly in his poem Valediction: Forbidding Morning. The poem’s message is that the relationship between two lovers is greater than anything else to them, and that true love cannot be broken by distance. This poem is believed to be written at a time where Donne was leaving his pregnant and sick wife to tour Europe. This means that the message could also be the argument used for the speaker to leave in peace. The main techniques that Donne uses in his poem are conceit (the comparison of two things that have nothing to do with each other) and rhetoric (persuasive argument). these two characteristics of Donne’s poem are typical of metaphysical poems.         

This is a metaphysical poem, with nine stanzas each with four lines using an ABAB rhyme scheme. It is written in iambic pentamena. The speaker in this poem is a man speaking to his lover, explaining to her that their love is strong enough to keep the couple together when they are far apart. The setting doesn’t change, or at least doesn’t seem to do so. The tone of the poem is understanding, soothing, and calm. Some of the words that create this tone are: “melt” and “make no noise”. It is necessary to know that the speaker must speak in a mood that helps in convincing his lover that leaving makes no trouble.

There are many conceits in this poem, but only one is major and others can be regarded as metaphors which support the conceit. At line five the speaker says: “so let us melt, and make no noise”. This sentence clearly is a metaphor to what will happen to their relationship. It is also interesting to note that everything that melts can be turned to solid again. The molecules of a solid object are close together. When this object melts the liquid form of the molecules show they spread apart (As the man intends on parting from his lover for sometime). This is the first conceit/metaphor of the poem. Then a series of metaphors work together. He explains that with his separation no tears or sighs will come about: “no tear-floods, nor sigh-tempests move;” in so doing comparing the natural disasters to other peoples’ sadness. He then compares their separation to the trepidation of the spheres. “But trepidation of the sphere though greater far is innocent”. In the Ptolemaic view of the universe the earth is at its center and the sun moves around the earth. All around this are the spheres. When the moving spheres collide with each other the shocks were thought to be trepidations or small vibrations.  By this comparison he elevates the couple higher than the other people, and makes the couple seem celestial, and as they are higher they are closer to god. Thus their separation would have the greatness of the trepidations and are not as damaging as natural disasters (as they are “innocent”). The trepidations are also more remarkable than natural disasters. Every other couple that is parting is compared to a less important earthquake which causes a lot of damage. “Moving of th’ earth brings harms and fears;”. Not to mention an earthquake is set on earth therefore the couples causing the “earthquakes” are not celestial as they are.

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Now the major conceit is explained in the last three stanzas, comparing the couple in question to a compass.  

The first aspect to notice is that the speaker compares the woman with the fixed foot of the compass, and himself as the pencil holding part: “Thy soul, the fix’d foot, makes no show To move but doth if the other do”. This part of the compass is the strong, immobile, and stable part that supports its partner (the pencil holding part).  This conceit is pretty straight forward. He explains that as a compass, when the pencil holding ...

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