Compare and Contrast the Female Characters in 'The Withered Arm,' 'Tony Kytes, the Arch Deceiver' and 'The Son's Veto,' all by Thomas Hardy

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Jo Fielding

Compare and Contrast the Female Characters in ‘The Withered Arm,’ ‘Tony Kytes, the Arch Deceiver’ and ‘The Son’s Veto,’ all by Thomas Hardy

In this essay I am going to explore female characters from three short stories written by Thomas Hardy. I want to investigate the characters, Rhoda, from ‘The Withered Arm’, Milly from ‘Tony Kytes, the Arch Deceiver’ and Sophy, from ‘The Son’s Veto’. I hope to find out and identify any similarities or differences between the characters.

Thomas Hardy lived from the years 1840 to 1928 and began writing stories to be published in 1865. Hardy grew up in an England slightly different to the one we know today. Women were denied the right to vote and were perceived as having diminutive purpose with little independence. They were expected by society to marry, as it was the presumed course of events. Depending on what class you came from, determined if you were to work, women who chose to work were usually frowned upon.  

 

During that time many women aspired to be someone with an independent character, who rebelled against the stereotypical view of how they should live. One major role model during that time was Olive Schreniner. She fought with a passion for women’s rights and wrote the book, ‘The Women’s Rose’. After it was published more and more women rebelled toward society’s perception of themselves by writing novels. Another great role model for women during that time was Florence Nightingale, who cared for the injured in the Crimean War.

Depending on particular circumstances women’s values usually determined if it was hard living the life they had to lead, during those times. Women who wanted to be able to do what they chose may have experienced difficulties, which, as a result made their lives hard. However women who preferred not to work, were happy to marry and devote their lives to their husbands were hardly affected, as it was what was expected by society.

Thomas Hardy was born and grew up near Dorchester in the county town of Dorset. Dorset was the inspiration of most of his work although he did include areas such as Devon, Somerset, Cornwall, Hampshire, Wiltshire, Berkshire and Oxfordshire. Various stories written by Thomas Hardy have been based, borrowed and enhanced from experiences told to many generations of the Hardy family. The areas the stories are set around are a fictional country called Wessex, based on the area he lived up in. By setting the stories in an area well known to Hardy he is able to go into detail, but also make them sound as realistic as possible. Hardy even uses the regional dialect to bring his stories to life and make the reader think they are there. By locating the stories in the countryside, Hardy gives the stories a slower, more relaxed way of life, with different values to those illustrating inner city life. The countryside generally consists of a closer network of people compared to the city life, because of the smaller more involved community, people may care more of what other individuals think of them which generates the different values, principles and morals.

From the story, ‘The Withered Arm’, I have chosen to investigate the character, Rhoda Brook. In the story, Rhoda plays an interesting character, motivated by her initial jealously towards other people. Rhoda’s character is one that develops throughout the story. Hardy lets his readers imagine what Rhoda looks like as he gives little description of her physical appearance. He does state that she is tall from the quote, ‘…and if she’s tall – as tall as I’ taken from page 2. He also reveals she has dark eyes, a quote from page 5 follows ‘Her eyes, then, are not dark like mine?’ This can be perceived in two slightly different ways. The obvious first is that of a physical feature. The second less apparent characteristic is of a devious, manipulative and possibly scheming aspect, perhaps based on her own personality.

It is clear that Rhoda does not have the choice to work or not, and, later it becomes apparent that she lives on her own with her son, who is around the age of twelve. Rhoda is determined to ensure that her son admires her. His personal view of his mother is important to her; she may feel threatened by Farmer Lodges new wife and this maybe the reason why she sent her son out to see what she looks like. This inflicts a shallow, insecure view of herself, in that she believes physical characteristics are more significant than personality. As a mother it is important to Rhoda to protect her son from any idol gossip he may hear about her from the village where they live. This is possibly why they moved away. However, at the beginning of the story when the milking maids were talking about Rhoda and Framer Lodge she did not seem too worried about what other people thought of her. She wishes to keep her son away from anything that may encourage him to resent her.

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Rhoda’s relationship towards the male characters in the story is barely existent. Rhoda avoids conversation with most males. This may have something to do with past experiences; perhaps she had been hurt from previous relationships and now avoids any contact with the opposite sex. She possesses a great amount of hatred towards Farmer Lodge this may be, for not accepting or acknowledging her sibling on the account of their failed relationship. The only positive relationship Rhoda has with a male character in the story is her son, Jamie.

The first impressions of Rhoda are noticeably different to the ...

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