Comparison of three nineteenth century short stories.

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Comparison of three nineteenth century short stories

In the nineteenth century attitudes were very different to how they are today, as reflected in the books and short stories written in this period. The three short stories I shall be focusing on are:

  • ‘The Yellow Wallpaper’---Charlotte Perkins Gilman
  • ‘Tony Kytes-The Arch Deceiver--- Thomas Hardy
  • ‘The Stolen Bacillus’---H. G. Wells

I have selected these three short stories, as they appear to have similarities in some aspects and differences in others; they also reveal much about how life was in the nineteenth century.

‘The Yellow Wallpaper’ is about a woman who moves out to the countryside to undergo a rest cure treatment for postnatal depression. It is the story of how she is treated by her husband and those around her. Mental illness in the nineteenth century was misunderstood. It was treated in the opposite way to how it is treated now.

‘The Yellow Wallpaper’ is narrated by the main character entirely in diary form, so it gives a very personal view of the story and the emotions involved.

It starts by the narrator going straight into the story with no introduction or background knowledge given. The narrator and her husband are renting a country house to live in for the summer. It is shown in the first paragraph that the narrator thinks there is something strange about the setting by the way in which she describes it as “A colonial mansion, a hereditary estate, I would say a haunted house...- but that would be asking too much of fate!”  She is obviously suspicious of the house, and even seems slightly paranoid.

Her relationship with her husband John becomes clear very soon into the story. He is the dominating partner and takes it upon himself to look after her, believing that she is not able to look after herself and must be put in the responsibility of his, more capable hand ‘He assures friends and family there is really nothing the matte with me’. John also never listens to what she has to say, thinking her not intelligent enough to have her own views, and humours her slightly with all his replies. “John laughs at me, of course, but one expects that.”  This was very common in the nineteenth century. Men were by far the stronger sex and women were seen as weak.

She has learned to take it for granted that he won’t take her seriously, and expects to be laughed at whenever she approaches him with an idea. The narrator knows that it is frustrating, but feels helpless towards the attitude shown by all men towards her, including her brother. This is shown by the use of the phrase “what can one do?” being repeated three times in the first part of the story. It gives the impression of mild frustration and hopelessness. The most unnerving section is when she is explaining how her husband will not believe that she is ill, and has convinced all her friends and relatives that there is nothing wrong with her but a “slight hysterical tendency”. It is this that truly gives us an idea of how alone and helpless she must feel, repeating the phrase, “what can one do?” once again at the end of the paragraph.

When Gilman was writing the short story she could understand that women were treated as unequal to men and as being pathetic. Women were seen to have no intelligence about anything outside their own house. Gilman decided to write the story to show that women, like the narrator could have vivid imaginations. This is what happens in the case of ‘The Yellow Wallpaper’ ‘There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down.’ Although Gilman gives the narrator a vivid imagination she does not give her the power to control it, which makes her seem even weaker, this is maybe the view of Gilman who believes men are more powerful than women.

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A similarity the story shows towards the modern day is that people still suffer from depression, and particularly from postnatal depression, although we have better ways of treating depression and understanding it. In the nineteenth century if an illness was not physical it would not be taken seriously. ‘John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures’

Through the yellow wallpaper the health of the narrator seems to regress slowly. This ...

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