How does the filming help to make 'The Shining' an exceptional Horror movie?

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Tebo Mokwena

English GCSE Language Assignment

Media – The Shining

How does the filming help to make ‘The Shining’ an exceptional Horror movie?

Stanley Kubrick a.k.a. “The Master Filmmaker,” was born on July 26, 1928 in the Bronx, New York City. By age 13 he had developed passions for jazz, drumming, chess and photography. In 1951 at 23 years of age, Kubrick used his savings to finance his first film, a 16-minute documentary short about boxer Walter Cartier.

On March 7th, 1999, Stanley Kubrick died in his sleep of a heart attack. He was 70 years old.

The Shining is a typical example of the horror genre because it works by arousing irrational fear. Stanley Kubrick uses step down imagery to make the terror in the horror, controlled and not too over whelming for the audience, to make it seem more believable. The horror is a paradox because it presents a vision of terror to the audience but the audience try to fight everything the director is trying to achieve by telling themselves that, ‘it is just a movie, its not real, you can’t scare me.’

The Shining was based on Stephen King’s third published novel, which became a best seller upon its release in 1977. What also makes The Shining such an exceptional horror movie is the way Stanley Kubrick keeps the horror hidden from the audience and like most good horror films, there is always a sense of the supernatural, good vs. evil and a sense of isolation.

Personally I feel that the Shining is a typical horror film because it’s a situation where the victims are isolated from the outside world and there is a mad man or something out of the ordinary killing them, which is true of most horror films like Nightmare on Elm Street, The Ring, Signs, Jeepers Creeper’s 1 and 2 and Dracula.

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The camera at the start of the film is moving over a huge mountain pass. We are shown a tiny Volkswagen car driving down a road, the film has many of the most beautiful, atmospheric cinematography, by John Alcott. This scene gives the impression of man’s vulnerability, when seen against the massive powers of nature – a sense of ‘the other’ is also created here by the aerial photography - a dark power looking down on the tiny ‘beetle’.

 

Jack Torrance (Jack Nicholson) is attending a job interview for the position of a winter caretaker at The Overlook ...

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