How important is the setting in the short stories you have read?

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In this assignment I will analyse 5 short stories, which are all pre 1914. These are – ‘The man with the twisted lip’, by Sir Arthur Conan Doyle, ‘The Red Room’, by H.G Wells, ‘The Signalman’, by Charles Dickens, ‘A Terribly Strange Bed,’ by Wilkie Collins and ‘The Ostler’, also by Wilkie Collins.

        The stories all have an exterior location. For example, in the Red Room, the corridors on the way to The Red Room. The language H.G Wells uses, such as ‘haunted’, ‘darkness’ and ‘shadowy’ create a feeling of tension and suspense. This is even before you have reached the main setting. Compared to The Signalman, the way the settings are portrayed, there is very little difference. Some of the words used by Charles Dickens, such as ‘dark’, ‘gloomy red light’ and ‘cold’. Some similarities are that they both talk about darkness and lack of light.

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        The interior settings play a significant part in most of the stories. The man with the twisted lip, there is an opium den. This sets the scene to a dark and gloomy setting, just as the authors did with the exterior setting. The authors are always using dark and gloomy symbolism. The opium den is described as ‘gloomy’, ‘dark’ and ‘black shadows’. This gets you on the edge, and you want to read on. In comparison to The Red Room which uses shock and surprise. Where it says ‘the young duke had died’, it goes on to say, ‘headlong down ...

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