Much Ado About Nothing opens in a liminal situation with a war that has just ended. How typical is this exchange between Beatrice and Benedick of their encounters in the play so far? Identify the main features of this passage and at least one other passag

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How typical is this exchange between Beatrice and Benedick of their encounters in the play so far? Identify the main features of this passage and at least one other passage.

Much Ado About Nothing opens in a situation with a war that has just ended. The men enter a “golden world” in Messina where the women are already located. In this situation, people fail to take things seriously causing the peace soon to turn into a war of words. Benedick and Beatrice are the main examples of male/female rivalry that converts into belligerent wordplay.

The first confrontation between Beatrice and Benedick appears in Act One Scene One. Beatrice interrupts the conversation between Don Pedro and Leonato (71-84) with her more lively language and Benedick responds to that. She starts the conversation by pretending to ignore Benedick. Beatrice tells him that ‘nobody marks’ him meaning that nobody listens to him. Benedick replies straight away (88) in the same offensive way ‘Are you yet living?’. He also calls her ‘Lady Disdain’ implying that she looks down on other people. The war of words starts as they are picking up on each other’s language. Beatrice takes into account ‘Disdain’ and plays around with the word (89-91). Especially, in lines 89-90, when she says ‘meet food’ she shows her skill in using the language. The expression she chooses might have a couple of different meanings: a) she might mean normal food such as meat - lamb etc. b) Benedick is suitable food for her disdain ‘meet’. She enjoys using puns. She also might be playing around with the sounds: feed, food; alliteration appears at this point. In line 92, Benedick thinks of himself as an experienced ladies man and that all of them love him, only Beatrice is the exception. This statement might imply that Benedick would like Beatrice to fall in love with him as well. It might also mean that there is something wrong with Beatrice. Benedick also accepts the fact that he is a villain by saying that ‘for truly’ he ‘loves none’. The same idea is expressed in line 123 when he says he is a ‘professed tyrant’. He also admits the fact that he is set to be a tyrant, but it is possible that he is not. In lines 92-94, Benedick uses lots of alliteration: heart, had, hard.  Assonance is also employed in the same sentence: would, could. Line 94 shows that they still keep playing around with each other’s language. Beatrice describes Benedick as an unpleasant, malicious suitor to all women. She also refers to herself as being a ‘cold blooded’ person, meaning that she is not interested in men and their admiration. This might occur because she grew up without her father and she ‘fathers herself’ (82). In the same sentence Beatrice says that she, as well as Benedick, loves no men ‘I had rather…he loves me’ (97-98). In this way she tries to offend Benedick as well as to prove that she is an independent woman. Benedick gets really hurt by this and tries to get his own back by saying that she would be a vixen. She would scratch the face of any man who woods her. By saying ‘predestinate’ Benedick means that God has determined it.

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Beatrice describes Benedick’s appearance in line 101. She believes that ‘scratching could not make it worse’ than it is now. By exploring the idea of his face being scratched, the audience is made conscious that he might be a possible wooer. Benedick calls her ‘a rare parrot-teacher’ because she is just repeating a few familiar phrases and she cannot think of something new and unique. However, Beatrice does not give up and says that the language she speaks is better than his. Perhaps, she also means that Benedick’s is the double tongue of the serpent by saying that her ‘tongue ...

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