• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Sin and Ego in Crime and Punishment

Extracts from this document...

Introduction

Sin and Ego Psychology The actions of Raskolnikov in Fydor Dostoyevsky's Crime and Punishment illuminate the complexity of his character. Raskolnikov rationalizes his murders and evil deeds, and feels compelled to take action when fellow tenants suggest that the two old sisters are "...Cursed wr-r-etches!" (Dostoyevsky 101). He determines that some people do not deserve to live; therefore, he feels justified in carrying out the murders. Raskolnikov neither questions the morality of his actions, nor considers them as sins. Instead, he remains detached and objective. Exploring Raskolnikov's motivations for his actions and the psychology behind his actions are the predominant themes in this chapter. Prior to committing the murders, Raskolnikov is motivated by his unfortunate circumstances. Destitute and alienated in the emotionally-suffocating environment of St. Petersburg, Raskolnikov finds himself feeling compelled to take some form of action by murdering Alyona and, later, Lizaveta. Raskolnikov is motivated primarily by his dire financial circumstances. By killing Alyona, Raskolnikov knows that he can rob her and improve his life. Following her murder, Raskolnikov "[takes] the keys out at once," (Dostoyevsky 95) ...read more.

Middle

Lizaveta. In a symbolic sense, the two murders that Raskolnikov commits directly corresponds to the dual facets of Raskolnikov's personality. Alyona represents the cold and vicious side of Raskolnikov's characteristics. On the other hand, Lizaveta represents the submissive and more humane side of Raskolnikov. By murdering both of these two women, Raskolnikov stifles and destroys parts of himself. This is seen on various occasions throughout the chapter. Before killing Alyona, Raskolnikov is questioned by the old woman: "But why are you so pale? Look your hands are shaking" (Dostoyevsky 93). However, before the killing of Lizaveta, Raskolnikov merely "grabbed the axe and ran from the bedroom" (Dostoyevsky 97). Furthermore, while killing Alyona, Raskolnikov, "...was scared he would lose his grip on the axe and drop it" (Dostoyevsky 94). Similarly, he had not felt anything while murdering Lizaveta. I conclude that because Raskolnikov "brought the butt of it down on the old woman's head" (Dostoyevsky 94), he smashes the submissive and compassionate elements in his nature with greater ferocity and viciousness than he employs when killing Lizaveta. ...read more.

Conclusion

(Take the power #2 and explain) [There are two major Puritan Ideals. Both of these ideals are related to the murders Raskolnikov commits. Raskolnikov's act against God will eventually bring about his own demise]. Raskolnikov without hesitation and easily contemplates his deeds. He feels as though he will not make a mistake while putting his crime into actions. He feel as though his actions are not a crime. Then he believes that he will be able to carry out his crime without making any errors that will allow him to be eventually caught. We eventually see that Raskolnikov grossly overestimates his abilities to maintain himself and all the details of the murder. Discussing the handout: [I wanted to mention that Dostoyevsky uses a lot of repetition to illustrate Rakolnikov's mind. For example, as shown on the hand out quote number 3, "No, that's not the right thing to do, either! I must go, go..." (99). Dostoyevsky predominantly uses repetition as a way to express Raskolnikov's reflective side. As for me, I am able to draw out Raskolnikov's thoughts and ego psychology by paying attention to the literary feature, repetition. ?? ?? ?? ?? Lee 1 ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our International Baccalaureate Drama section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related International Baccalaureate Drama essays

  1. Comparison of A Doll's House and A Streetcar Named Desire

    Nora's sarcasm is also present directly in her dialogue with Helmer. In the conclusion of the first act, Nora asks Helmer to "take [her] in hand and decide" how she should attend the masquerade ball (Ibsen 25). The sarcasm she speaks these lines with is evident when she utilizes hyperboles

  2. Hamlet Act 3 scene 1

    dramatic climax of the scene, here I had to show Hamlet releasing all his anger and frustration by essentially saying that Ophelia should lock herself away never to be a temptation for any other man ever again. Being quite a vicious message, I chose to put emphasis, on the key

  1. In this portfolio I will take you on the journey which I myself have ...

    We continued building on our characterisation by looking for resources. I found a particularly good resource online [2] from amnesty international which was not only personal but also highly emotive. In particular this helped me with my monologue as I was able to feel connected to my character in order to portray the appropriate emotions.

  2. Oediups: An Analysis of Literary Devices

    me, it'll never be solved" Self-defensive words, "stranger" to both story and crime "Then on myself I call down every curse I've just invoked." (Roche 15) Double cursed himself. He is the murderer and he is the avenger Oedipus is honorable "Such ties swear me to his side/as if he were my father."

  1. Escapism and power as entwined themes in Anouilhs Antigone and Ibsens A Dolls House. ...

    Hence, it is not her true character. Thus, she is able to overcome it to gain power, by abandoning her sense of idealism, and consequently the childlike image that her husband created for her. However, for Antigone, it is part of her innate persona, for she was never meant to be feminine, or adult -like.

  2. The Theme of Individual Conscience versus the State in Sophocles(TM) Plays

    Although Oedipus was a King his conscience played a little role in his decision making. In "Antigone" Antigone's conscience plays a key role in all of her decisions and actions. The role of Creon in the play "Antigone" completely contradicts the role he played in "Oedipus Rex".

  1. one woman show

    I did not have to worry that how can I survive in the palace, I would never feel what is called loneliness, and I did not have to hide my emotions deep in my heart. But I stopped myself there.

  2. Streetcar Named desire comparison

    dawn Dispatches me as though I dropped down the knell Of a spent day - to wander the cathedral lawn From pit to crucifix, feet chill on steps from hell. Have you not heard, have you not seen that corps Of shadows in the tower, whose shoulders sway Antiphonal carillons

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work