Jane Eyre - Through A Critical Lens

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Nair -  -

Ron Nair

Pd. 5

1/31/08

Who Is That Woman?

Analyzing Jane Eyre through a New Historicist Lens

        Historical research has always been an issue of trial and error. Through analyzing novels such as Jane Eyre, historicists can learn about that part of our past by looking at the prevalent themes in the novels, such as social and gender inequalities. By analyzing the historical context of Charlotte Brontë's novel, Jane Eyre, as well as the readers' present-day biases, Jane's story of love and personal evolution transforms into a revolutionary cry against religion, gender and social inequalities.

 

The time when novels are released is an extremely important piece of information that any new historicist has to look at. Jane Eyre was published in London, England in 1847. When it was published in 1847, Jane Eyre was a bestseller. Many critics believed that the novel was well written but they were curious amongst them regarding the author. The book was originally printed with Currer Bell as the editor and no other information was disclosed concerning the author. The gender of the author was debated for a while until it was released that the author was a woman. Soon, the reviews of the novel became increasingly negative because the public could not believe that a woman could have “written such a passionate novel and seemed so knowing sexually” (Brooklyn CUNY Jane Eyre). I found two reviews of Jane Eyre, one from 1847 and one from 1848.

The reviewer for the Atlas in 1847 claimed:

        “This is not merely a work of great promise; it is one of absolute performance. It is one of the most powerful domestic romances which have been published for many years. It has little or nothing of the old conventional stamp upon it ... but it is full of youthful vigour, of freshness and originality, of nervous diction and concentrated interest. The incidents are sometimes melo-dramatic, and, it might be added, improbable; but these incidents, though striking, are subordinate to the main purpose of the piece, which is a tale of passion, not of intensity which is most sublime. It is a book to make the pulses gallop and the heart beat, and to fill the eyes with tears.” (Brooklyn CUNY Jane Eyre)

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The reviewer for the Rambler in 1848 claimed:

        “Jane Eyre is, indeed, one of the coarsest books which we ever perused. It is not that the professed sentiments of the writer are absolutely wrong or forbidding, or that the odd sort of religious notions which she puts forth are much worse than is usual in popular tales. It is rather that there is a tendency to relapse into that class of ideas, expressions, and circumstances, which is most connected with the grosser and more animal portion of our nature; and that the detestable morality of the most prominent character ...

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