In this extract from the novel, Paradise of the Blind, by Duong Thu Huong, the author explores the importance of culture and tradition within the text. The extract is set in the slums of Hanoi,

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In this extract from the novel, Paradise of the Blind, by Duong Thu Huong, the author explores the importance of culture and tradition within the text. The extract is set in the slums of Hanoi, Vietnam during the war and outlines the lifestyle of main character Hang, her mother and relatives at this time. Through first person narration, Huong details the personalities of and relationships between Hang and her relatives – in particular, Uncle Chinh, mother Que and Aunt Tam, illustrating the struggles and hardships experienced by the Vietnamese to display the importance of family within Vietnamese culture. Using symbolism of material wealth and food as a means to show the expression of love that Que has for Uncle Chinh and Aunt Tam for Hang, Huong effectively portrays the customs and beliefs of Vietnam at the time of the book.

The setting of the text is clearly established through numerous amounts of cultural motifs presented within the extract in order to accentuate the importance of tradition. The existence of a communist government alongside the celebration of “Tet” – Vietnamese New Year, is highly significant in emphasising the placement of this text in Vietnam. “The house, the clothes, the food. These people are incapable of tolerating even the slightest difference. So you see, a little bit more money, a nicer bowl … it’s dramatic for them.” (125) This remark made by peasant Neighbour Vi about communist Uncle Chinh’s family displays the oppressive lifestyle and beliefs of the Vietnamese officials living under the corruption of the Communist Party. The unwritten laws that exist within their community, determining equal standards of living and conformity to group normalities are used by Huong to portray the suffocating attitude of the government party at the time. The inclusion of such suffocating traditions is contrasted with the beliefs of other characters in the book, displaying the differing values between the social classes in Vietnam. This divergence in beliefs is further implied through the separation of Uncle Chinh’s family home in Commune Residence K from the residences of regular peasants such as Neighbour Vi, Hang and her mother. “Listen to my advice. Wear the same clothes as your sister-in-law. Then see if she doesn’t change her attitude.” (125) Evident throughout the text, Uncle Chinh and his family do not welcome Que’s visits to his house, as a result of the conformist community he lives in. Despite being family, Que must change the way she appears in order to be accepted by her own brother, emphasising her brother’s strong beliefs in the tradition of his communist community. Uncle Chinh and his family’s prioritising of their shallow communist customs over their own blood relatives illustrate the meaning of tradition in the text, henceforth presenting the social setting of Vietnam.

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In addition to this, the significance of family in Vietnamese tradition is presented by Huong to lead the reader to see the importance of culture. Que makes a considerable effort to keep in contact and interact with her brother Chinh’s family as it is her only other family. Similarly, Aunt Tam obsesses over her niece Hang, as she is the only family that she has left. “She gathered me in her arms, stroking my hair. “The older you get, the more you look like your father. Really, to each plant its own little slug. No doubt about it.”” (126) Aunt ...

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