To what extent is the Matrix a piece of cinematic entertainment, and to what extent is it an exploration of religious and philosophical ideas?

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Nikki Sommers

11Za2 Mrs Price

To what extent is the Matrix a piece of cinematic entertainment, and to what extent is it an exploration of religious and philosophical ideas?

The Matrix, released at Easter in 1999, is both a piece of cinematic entertainment and a film portraying religious and philosophical allegories.  The Matrix can therefore be viewed from two different perspectives; purely as an action film or instead on a deeper level, exploring the more insidious values hidden in the plot.

As a piece of cinematic entertainment, the Matrix was a very successful film release.  It contains fight scenes, chase sequences and special effects to rival any other film released during 1999.  The matrix was a Hollywood blockbuster.  In order to be successful it had to appeal to a wide audience.  Like any other typical blockbuster, the matrix contains a few simple aspects.  These include attractive characters, a love interest to appeal to girls, a feel-good ending, action scenes, and a bit of violence to  satisfy men.

The action scenes involve fights, music, chases and special effects.  The chase scenes include close escapes and near misses such as those witnessed in the first scene, with Trinity reaching the phone box a matter of seconds before it was hit.  The loud explosions and soundtracks add to the building sensation of nerves and terror and then relief.  They help to create tension, apprehension and pressure as the plot thickens and we find out more about Neo and his destination.

The fight scenes contain many special effects such as bullet time and agents ‘morphing’ between bodies.  The Matrix was one of the first films to use bullet time, putting, the film in a class of its own.  This aids entertainment, especially when shown on a large screen.  The kung fu fight scenes are predominantly exceptional, manipulating film footage to show speed and action, fashioning the extremes that the Matrix will hold.  In places this was filmed using slow motion but some parts of the film needed to be done in ‘bullet time photography.’  This involved using computers and many cameras in different positions all set at different times.  The complexity of using bullet time is shown by the fact that it uses almost 12 000 frames a second!  The Matrix uses almost every kind of visual effect that existed before it’s production, but basically took each one a step further.

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The characters in the Matrix assist in producing a high-quality film.  The costumes are interesting, and symbolise different groups- the agents all wear the same suits and people from Zion entering the Matrix all wear sleek, black leather, forming a cool collected image.  

   

Other valuable features of the film include effective cinematic imagery such as Trinity holding the gun to an agent’s head before saying ‘Dodge this.’  This is ironic, as Neo has just been dodging bullets shot by the same agent.  Another example of effective cinematic entertainment is the lobby scene as Neo and Trinity ...

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