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Euripides has met the conventions of Attic Tragedy up to a particular extent. Although he was often criticised for his work, he followed the structure and cycles of thetraditional tragedy. However, his stance on the themes and ideas set him apartfrom...

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Introduction

Euripides has met the conventions of Attic Tragedy up to a particular extent. Although he was often criticised for his work, he followed the structure and cycles of the traditional tragedy. However, his stance on the themes and ideas set him apart from the other writers. It is unreasonable to compare Euripides with the traditional writers of Attic tragedy without understanding his attitude and the reason for this attitude. Although he was only fifteen years older than Sophocles, he belonged to a whole different generation. Between them lay the chasm of the Sophists moment. The Sophists were professional teachers who applied new methods of criticism to all aspects of life. Euripides was a child of this time. It made him a septic and a critic. It affected his whole attitude towards life and made it impossible for him to accept the presuppositions of tragic art as his predecessors had done. As well as this, there were several ideas which set apart Euripides from others. To modern audiences, other tragic heroes often seem removed from flesh-and-blood men and women.

Middle

However, in other tragedies, the chorus played a much mor, detached role. They were important as narrators of commentators to what was actually occurring. But in Euripides play, they have a more prominent interaction with the main characters, especially that of Medea. Medea and the chorus engage in long conversations concerning her plight and her plan of revenge. Thus, we can see that Euripides sometimes followed conventions. The tragedian stage convention in Attic theatre also followed a specific rule. There were never more than three characters on the stage at one time. By studying Medea, we can see that Euripides never has more than three actors on stage and upholds the tradition. Therefore, we can see that Erupide's Medea only somewhat follows the conventions of Attic tragedy. Although he was maintained the traditional structure, cycles, and actors, he has replaces some age old ideas and themes, including the prominence of gods and the role of the Chorus. But throughout these uses and changes in convention, what really is Euripides trying to express?

Conclusion

Medea is shown as having perfected this ability - every time she is shown attempting to persuade anyone in the play, she succeeds. Women are portrayed as inherently dishonest. This is further emphasised when Medea tells the Chorus: 'We were born women - useless for honest purposes,/ But in all kinds of evil skilled practitioners'. In conclusion, from the play we must assume that women were viewed as sex crazed, overly emotional, and persuasive beings. However this was the view of Euripides. It is impossible to say what others, particularly women's; views were on women from just this source. The universe in which Euripides existed was not benevolent, or just. Hardship fell on all, the wicked and the good. The gods were not only powerful, but often impulsive, cruel and blind to justice. Needless to say, these positions made Euripides unpopular. He was the unwanted voice of conscience in his age, a man unafraid to point out the lies with which a civilization comforts itself. Sophocles gives us heroes, and Aeschylus gives us a vision of history and teleology; Euripides gives us real men and women with all-too human weaknesses, and his visions are often nightmares.

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