Following on from this stage of the Slavetrade work we had to develop our intimidation and fear factors. In order to do this we explore the different ways in which we could show aggression and fear

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Greg Cameron               Drama coursework: Slavetrade - Response                  Mar 06

    11AMc

In our first response task of the Slavetrade work we were asked to arrange ourselves into pairs (my partner was Dean Parmar). We then agreed that I were to be the slave master type character and Dean was to be the slave. Were told that we were to walk past one another from opposite sides of the stage, when doing this one of us was to look down on the other with disgust and anger (slave master) as a way of intimidating the other (slave), we were to do this in mime with no words spoken. As the slave master I decided that I would towards Dean in a slow formal manor with my back straight an my head raised upwards however when I reached the point of walking past him I almost glanced at him with a look of disgust as if he was worthless and then when he looked back at me for a mere moment, I simply stopped and glared at him, by doing this I was able to create an intimidation and fear within dean (‘s character). By pressing myself towards him I forced him to back down and fall to the floor, I continued with my disgusted look staring directly into his eyes and examining up and down his person. As I slowly continued to stare at dean as he got up and ran away I made sure that I followed his movement so as to ensure that the fear installed within him continued and that I did not want him to turn and look at me again, however I remained gentleman like and formal in my stature and movement away from the scene by keeping my back straight and having slow steady paces.

Following on from this stage of the Slavetrade work we had to develop our intimidation and fear factors. In order to do this we explore the different ways in which we could show aggression and fear through the use of not only our facial expressions but our physical expressions as well e.g. use of pointing and cursing and anger amongst the facial tone whilst adding a small but effective use of speech. When it came to deploying this during the lesson myself and Dean worked together pointed out what the best way for each other to act out the task. I suggested to dean that in order to show how he was intimidated he should cower and make whimpering sounds and stutter the words “oooh” and “errr” which help to emphasise his fear and confusion at how and what to say to the dominant slave master, and Dean would suggest the best way to show to him that I was the superior character, we almost used this style of working as method acting finding out the best way to maximise our realism through the exploration of our own fears and weaknesses to intimidation and our own feelings of anger and resentment and how best to portray this as a character. In this same task where I was to develop myself as the slave master/gentleman, in order to do this myself and dean decided that I was use my physical presence as the dominating factor continuing to look down upon dean, as dean reacted to this and became scare I pointed directly and him as he cowardly looked away, I made a strong toned deep expression of “disgusting” as I looked upon him. Dean then proceeded to scurry off as fast as he could and I followed him with my eyes continuing to glare upon him but kept my body tall and straight, I did this in order to distinctly show that I was the superior being and that I was in charge, should dean have shown a lack of respect or not acted in the way he did (as a slave) then as a slave master I could have had him beaten or killed and so I had to continually show this domination throughout the task and not just when in interaction with Dean. As he scurried off dean apologised profusely and in my character response to this I simply laughed, I did this to show that the slaves words meant nothing to me and as if to show that he did not deserve the right to apologise and speak to me, this created the humiliation factor within Deans character because we were to imagine that this was in the middle of a busy London street and so hundreds of people were around us at the time. I feel that by using my physical presence over dean it was clear to the audience who was in charge and I feel that the collaboration of what would affect each other in a personal level created the realism to the task.

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Within the next section of the response tasks we were to work in a group of three, myself and dean stayed together and we added Glenn Jenkins to the group. In this task we were to show how the bullying of a slave were to be unpleasant on both parts of the situation, both with the slave and how he felt and with the superior characters and how they went about it. We had a prop in this task, one chair and we decided that Glenn would play as the slave in the first part of this new task. ...

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