How does Baz Luhrmann create interest for the audience in the beginning of his film version of Romeo and Juliet?

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How does Baz Luhrmann create interest for the audience in the beginning of his film version of Romeo and Juliet?

"Romeo and Juliet," is a play written by William Shakespeare in the late sixteenth century “in fair Verona.” This is an ultimate love story between the children of two powerful enemies, “both alike in dignity…" These two households bear an “ancient grudge.” Within this hate "Romeo and Juliet's" love cannot survive, and they are driven by this hate to death.

Baz Luhrmann’s version of Romeo & Juliet is an audacious and stunning. He did this by using many different techniques, and even though he keeps the original dialogue, he changes many classic features of the play to give this modern feel to it. He changed horses to cars, Swords to guns and villages to cities and several other things.

The film starts with a TV reporter broadcasting news to citizens in Verona Beach. Following the news there was no dialogue, just modernly dressed characters driving modern cars.  TV reporter tells the prologue during news without last two lines. There was loud dramatic music, fast images of violence which tells us that the play is going to be very powerful and dramatic. The image of Christ statue shows that the religion will play some part with in this film. There were two large buildings of Montague’s and Capulet’s, the size of the buildings tells us that they both are wealthy families but separate. The statue of Christ is stood in the middle of the buildings, which again show the religion where this film set. The dramatic music builds up the scenes, images of police vehicles and helicopters burn across the screen. Quick images show the conflicts which link the families with violence.

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The music and images get slower and slower, “two households both alike in dignity…”showing the two families, again separated by Jesus, sour looks upon the head's faces; hate and malcontent, though smiles upon the children's; happy, contented faces, with no worries. The images of fire represent hell, hatred and death. Headlines of newspapers flash upon the screen, linking again with the theme of the media and the modern setting. Showing there must be public interest in the growing feud between the two families, and again highlighting the conflict between the two families. Extremely short images are shown of police ...

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