detailed semiotic analysis of a music video

The relationship between the visuals and the music allows the cuts to be in time with the beat. There are no solo instrumental sections as the video is all-visual around the concept. The video also changes pace with the music; for example, through the build up there are less cuts and longer shots. This happens during the section 1:00 minute to 1:32 minutes.

The use of the extraordinary concept of the video helps to sell this track, as it is recognisable and extravagant. Also the combination of the two artists justice and simian mobile disco combining, will have a considerable effect on the size of the audience. Throughout the video there is no appearance from the actual artists. However the audience can create an image of the artist after having watched the video. As the artists are combined they have not released any previous music videos together. The videos of simian mobile disco are however eccentric and unusual for example “Its The Beat” roughly matches the style of “We Are Your Friends”. There are no specific motifs followed on from other videos, as it is just a spontaneous video that is unrelated to any other work done by either Justice or Simian Mobile Disco. Even though I would not say that this brands them as achieving a new image, it can although be categorised with some previous work.

As the artist does not appear in the video they cannot have been put on sexual display. Considering the other actors within the video there is also no use of sexual display by male or female individuals. There are no other factors within the video linking to the use of sexual display. This music video is approximately 90% concept based and 10% narrative based. This is because there is no performance and the whole video is shots of foolish tricks performed to recovering individuals. The narrative section is small and consists of the link between all the performers having being drunk the night before.