An Inspector Calls

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An Inspector Calls

There are a variety of techniques Priestley uses to make the audience react differently to characters like The Inspector and Birling. Priestley manipulates dramatic devices, stage directions and the language to get different effects.

  An example of stage directions is when the Inspector enters. ‘The lighting should be pink and intimate until the Inspector arrives, and then it should be brighter and harder.’ This has been done because Priestley shows the audience that under the harsh bright light, he is going to reveal the characters for who they truly are. The pink and intimate lighting shows that the Birling’s are under a façade and have something to hide.

 When the Inspector arrives Edna introduces him and then before talking he stares at the other characters. ‘He speaks carefully, weightily, and has a disconcerting habit of looking hard at the person he addresses before actually speaking.’  The way the Inspector looks at the characters makes them feel nervous and emphasises that they have something to hide and by doing this the inspector will make the guilt feel uneasy.

All throughout the play and from the very beginning, Mr Birling comes across to the audience as what he calls himself ‘A hard headed businessman’ – a phrase that Birling repeats over and over again. This repetition creates the effect of him being big headed and stubborn, as he thinks so much of himself. By doing so Mr Birling alienates himself from the audience.

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Priestley uses many methods to prove that Mr Birling is very pompous and arrogant. An example of which is when he gives his opinions of the world around him like the titanic. ‘Unsinkable, absolutely unsinkable’. This is an example of dramatic irony because the audience knows that it isn’t unsinkable and has already sunk but Birling doesn’t know this. His opinions on war are shown, ‘Just because… a few German officers have too much to drink and begin talking nonsense. The Germans don’t want war. Nobody wants war…there’s too much at stake these days. Everything to lose and nothing ...

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