An Inspector Calls

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Elizabeth Gear        Page         10/20/2008

In Act 1 if ‘An Inspector calls’ how does J.B. Priestley use the dramatic devices to convey his concerns and ideas to the member of the audience and explain the power and mystery of the inspector’s role throughout?

J.B. Priestley, who was born in 1894, was from the generation that witnessed both the First and Second World Wars. Perhaps as a result of this, Priestley developed strong political views from a young age that he wasn’t afraid to express. After World war one, he became increasingly interested and concerned in the social state of the country. By 1942 he had set up a new political party, ‘the common wealth party’ which consisted of a socialist view and strong anti-war messages. During the Second World War he had his own radio show that was cancelled by the BBC because it was too critical of the government.

Priestley’s play, ‘An Inspector Calls’ was written in 1945, just after the Second World War. The country was in complete turmoil as it began to repair the havoc nearly six years of war had wreaked. The play was set back in 1912, after the First World War. The significance of these two dates allowed Priestley to include several dramatic techniques and devices surrounding the two wars, especially dramatic irony. The views contained in the play serve as a constant reminder to the audience reading the play script or watching the play that we should learn from history’s mistakes and avoid repeating them. It is also a representation of the drastic social changes that took place during these eras, when age, gender and class boundaries began to be breached.

In the play, Priestley uses the inspector as a puppet to portray his own views and concerns about the country to his audience. The entrance of the Inspector is placed at a vital point, immediately after Birling’s speech in which he shares his capitalist views claiming: “a man has to make his own way-has to look after himself”. This is the first hint we get about who the Inspector is, and what he is there to teach the Birlings. The inspector entrance also shows the first example of his omniscience during the whole play as he sets out to change Birling’s views, leaving the audience questioning what he is already aware of from the start. The inspector later comes back at Birling’s speech with his own opposing socialist views by stating: “We don’t live alone. We are members of one body. We are responsible for each other.”

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The play begins with the detailed set of stage directions, informing the actors of their exact positions on the stage, which props should be revealed or shown and when, and the use of lighting and costumes. To begin with, the lighting is described as “pink and intimate.” When the Inspector enters the light turns “brighter and harder” is significant in that when reflecting back, it suggests to the audience the importance of the Inspector’s appearance at this point. Priestley conveys the power surrounding the Inspector by using stage directions and describing his presence as “massive” and then using the ...

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