• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

``How does Stoker manipulate language and form to create tension in chapter 3?

Extracts from this document...

Introduction

``How does Stoker manipulate language and form to create tension in chapter 3?" In chapter three, Dracula begins by describing his countries people and boasts of his family name to Harker. It then goes on to when Dracula quizzes Harker about England and forces him to write letters to his relatives informing them of his extended stay. One of the more startling events in the chapter involves Harker spotting Dracula crawling down the wall of the castle which makes him think of the predicament he finds himself in. Towards the end of the chapter, Harker goes against Dracula's advice and falls asleep in a foreign room only to find himself with three voluptuous women but just as one puts her lips on his neck, Dracula disturbs them ordering them to leave with the "smothered child" he provided them. ...read more.

Middle

From this moment on the tension seems to grow in the oevrall plot as Harker's "wild feelings" and "helplessness" is portrayed in his actions of desperately trying to find an escape. By far and away, one of Stokers' greatest techniques in building up the tension is by hinting at the things we know will develop later. A great example of this technique is the moment when Harker himself realises that the castle has no servants and the coach driver who controlled the wolves with such fearless power was actually the Count himself, all along the reader knew this however was kept in suspense as they wanted to see how Harker would react to this, in Chapter three they finally ...read more.

Conclusion

Not only does the chapter describe Dracula's strength but it also touches on his attributes and one of them being the moment in which Harker saw the Count crawl down the sheer of the castle in a "lizard-like" way. These such instances create an eery feeling and again relates back to Stokers' technique of hinting at the things we know will develop later as readers all know about dracula's special skills yet just little hints like this rather then being blunt about it makes the reader really get the feel of Harkers emotions and develops dracula more effectively as the figure of fright in the story. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our GCSE Bram Stoker section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related GCSE Bram Stoker essays

  1. What boudaries does the vampire threaten? Discuss possible answers to this question with ...

    Furthermore, by requiring that the child be discarded that the husband may be embraced, Stoker provides a little emblem of this novel's anxious protestation at the appetite in a woman ("My arms are hungry for you") is a diabolic ("callous as a devil") inversion of natural order" (Craft, pp. 120-121).

  2. Discuss possible answers to this question with reference to at least two critical or ...

    "For Stoker, the vampire 'race' is simply the most virulent and threating of the numerous warrior races ... inhabiting the area" (Arata, pp. 123-124). Arata makes the link between the experience of Lucy and Mina losing their "identity -- national, cultural, racial", once they have undergone their transformation after being vamped (p.

  1. Bram Stoker's Dracula

    He then throws the mirror out the window. Jonathan again had breakfast alone, it was peculiar that he Dracula had never yet eaten or drank with him. After breakfast he began exploring the place, the tension is starting to get to him now, he has no clue what to do: "Doors, doors, doors everywhere, and all locked and bolted.

  2. "The Gothic is concerned primarily with representing transgression and taboo, there is nothing more ...

    Especially considering the respective ends of the pair. Patrick McGrath's ideal that by representing a (moral) breakdown "a tale...could carry with it an indictment [of that which] stimulated the breakdown in the first place." Walpole, in his preface to Otranto, claims to have portrayed a "more useful moral", Radcliffe's work was all somewhat didactic and even the minor

  1. A Comparison of a Pre-Twentieth Century and Contemporary Horror Writing, Looking in Particular at ...

    It seems that Dracula opened the door with some unnatural force. By the end of the first page, Harker is relaxed and comfortable and uses words such as "charming" and "graceful" to describe his host. He does not seem to have noticed any of the unusual incidents such as the

  2. Are Dracula and Atticus portrayed as heroic for breaking society’s taboos?

    The approach I have taken is to re-read the texts with my now extended knowledge so that I can best describe the two subject matters, Atticus and Dracula. Dracula is a character that has been feared since his invent. A darkness loving, blood drinking, lady slaying monster.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work