Fashion in post-war Britain

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After World War II, there was a huge push to get women back into the home and the kitchen, to do the traditionally womanly duties of raising children and looking after the house. In magazines, television programs, books and other media, the housewife, or "homemaker," was glorified as the supreme goal; going against one's "femininity" (i.e., being interested in politics or non-wifely duties) was a fearful fixation.

1950s fashion was an essential part of this push. Unlike the boxy silhouettes of rationed 1940s uniforms, 1950s fashions emphasized fragile femininity, in the form of soft shoulders, stiletto heels, wrist-length gloves and full, flowing skirts. Even working women's outfits hinted at fragility, with pencil-slim skirts and little hats with veil and feathers.

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The "New Look" for 1950s women actually originated in the 1940s, with Christian Dior's inspiring collection called Corolle. This collection contrasted with the harsh, "make do and mend" beautiful fashions of the 1940s with full skirts, soft shoulders, and a tight waist, emphasizing the bust and the hourglass-shaped figure. 

Men's 1950s fashion was clean cut and traditional. The "grey flannel suit" referred to a style popular among American men, which started out in the Ivy League colleges. The "American suit" was usually charcoal grey, single-breasted with two or three widely spaced buttons, unwaisted, with no back vent. Also ...

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